Shloka 19
Adhyaya 20 — Ritadhvaja’s Companionship with the Naga Princes and the Origin of the Horse Kuvalaya
पुत्रावूचतुः पुत्रः शत्रुजितस्तात नाम्ना ख्यात ऋतध्वजः ।
रूपवानार्जवोपेतः शूरो मानी प्रियंवदः ॥
putrāv ūcatuḥ putraḥ śatrujitas tāta nāmnā khyāta ṛtadhvajaḥ |
rūpavān ārjavopetaḥ śūro mānī priyaṃvadaḥ ||
కుమారులు అన్నారు—తండ్రీ, శత్రుజితుని కుమారుడు ‘ఋతధ్వజ’ అనే పేరుతో ప్రసిద్ధుడు—సుందరుడు, ఋజుత్వముతో యుక్తుడు, వీరుడు, మహోత్సాహి, మధురభాషి—అతడే।
{ "primaryRasa": "shanta", "secondaryRasa": "vira", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
The attraction is grounded not merely in pleasure but in perceived guṇa (virtue): beauty is listed, yet moral qualities (ārjava, priya-vāda) are emphasized—suggesting that true affection is drawn to dhārmic character.
Touches vaṃśa (lineage: ‘son of Śatrujit’) and vaṃśānucarita (characterization of a royal figure), but remains within a local narrative unit.
The ‘banner of ṛta’ (ṛta-dhvaja) symbolically points to alignment with cosmic order (ṛta): the psyche naturally gravitates toward harmony and truth when it is not fully obscured by tamas.