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Varaha Purana 137.63 — Adhyaya 137, Shloka 63

The Tale of the Vulture and the She-Jackal: The Māhātmya of the Saukarava Sacred Field

ताम्बूलं रक्तवस्त्रं तु सुसूक्ष्मे पट्टवाससी ॥ सुगन्धैर्भूषिता गात्रे सर्वरत्नसमायुता

tāmbūlaṃ raktavastraṃ tu susūkṣme paṭṭavāsasī || sugandhair bhūṣitā gātre sarvaratnasamāyutā

அவளிடம் தாம்பூலம் இருந்தது; சிவந்த ஆடைகளை அணிந்திருந்தாள்; மிக நுண்ணிய பட்டாடைகளைத் தரித்திருந்தாள். நறுமணங்களால் அவள் உடல் அலங்கரிக்கப்பட்டு, எல்லா வகை ரத்தினங்களாலும் நிறைந்திருந்தாள்.

ताम्बूलम्betel (leaf/chew)
ताम्बूलम्:
Visheshya (विशेष्य)
TypeNoun
Rootताम्बूल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), एकवचन
रक्तवस्त्रम्red garment
रक्तवस्त्रम्:
Visheshya (विशेष्य)
TypeNoun
Rootरक्त + वस्त्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), एकवचन; कर्मधारय: 'रक्तं वस्त्रम्'
तुbut/indeed
तु:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (contrastive particle)
सुसूक्ष्मेvery fine (two)
सुसूक्ष्मे:
Visheshana (विशेषण)
TypeAdjective
Rootसु + सूक्ष्म (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), द्विवचन; अव्ययीभाव: 'सु' (well/very) + 'सूक्ष्म' (fine)
पट्टवाससीtwo silk garments
पट्टवाससी:
Visheshya (विशेष्य)
TypeNoun
Rootपट्ट + वासस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (Nom/Acc), द्विवचन; तत्पुरुष: 'पट्टस्य वाससी' (silk-cloths)
सुगन्धैःwith fragrances/perfumes
सुगन्धैः:
Karana (करण)
TypeNoun
Rootसुगन्ध (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental), बहुवचन; कर्मधारय: 'सु गन्धः' (good fragrance)
भूषिताadorned
भूषिता:
Visheshana (विशेषण)
TypeAdjective
Rootभूषित (कृदन्त-प्रातिपदिक; √भूष्)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), एकवचन; भूतकृदन्त (past participle)
गात्रेon the body/limbs
गात्रे:
Adhikarana (अधिकरण)
TypeNoun
Rootगात्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन
सर्वरत्नसमायुताendowed with all jewels
सर्वरत्नसमायुता:
Visheshana (विशेषण)
TypeAdjective
Rootसर्व + रत्न + समायुत (कृदन्त-प्रातिपदिक; √युज् with सम्-आ)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), एकवचन; तत्पुरुष: 'सर्वैः रत्नैः समायुता' (endowed with all gems)

Varāha (default, dialogue framework provisional)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"Attribution of fault and the cause of suffering: who is responsible for the speaker’s head-pain, and what relational duty follows from lineage and marriage-gift?"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"Royal/ethical accountability is foregrounded: identify the doṣa (fault) causing harm and honor rightful marital/relational bonds established by paternal gift and lineage.","karmic_consequence":"Upholding accountability and rightful bonds sustains social order and legitimacy; ignoring fault and dharma of relationships leads to conflict, dishonor, and continued suffering."}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethics of causality and responsibility","core_concept":"Suffering (rujā) is traced to doṣa (fault); dharma requires discerning causes and acting responsibly within established relationships.","practical_application":"When harm arises, seek the true cause (doṣa) rather than scapegoating; honor commitments and relational duties grounded in lawful giving and consent."}

Subject Matter: ["Heritage Sites","Ethics"]

Primary Rasa: karuna

Secondary Rasa: shanta

Type: royal lineage/region (ancient city)

Related Themes: Varāha Purāṇa 137 (adjacent verses likely narrate the persons involved and the kṣetra that resolves the affliction)

Visual Art Cues: {"scene_description":"A speaker (royal/heroic figure) lamenting a sharp head-pain while referencing a woman of Kāñcī royal lineage, presented as ‘given by her father’ and ‘beloved’—a scene of accusation and duty.","item_prompts":["gesture to head indicating pain","court setting with attendants","insignia hinting at Kāñcī (southern temple-gopura motif or palm-leaf fan)","a dignified woman in royal attire","a father/elder figure symbolizing ‘pitrā dattā’"],"kerala_mural_prompt":"Kerala mural: expressive face with hand to head, stylized court figures, the Kāñcī-born lady in red-gold ornaments, strong narrative gestures.","tanjore_prompt":"Tanjore: central afflicted figure with ornate crown, secondary figure of the beloved lady, embossed jewelry and arch, emphasis on regal lineage.","mysore_prompt":"Mysore: restrained emotion, detailed textiles, subtle depiction of pain and moral tension in a palace hall.","pahari_prompt":"Pahari: intimate court vignette, lyrical sorrow, minimal architecture, emphasis on expressive eyes and hand gestures."}

Audio Atmosphere: {"recitation_mood":"plaintive-narrative","suggested_raga":"Todi","pace":"slow-medium","voice_tone":"grave, slightly weighted on ‘doṣa/rujā’ phrases"}

C
Classical Literature
M
Material Culture
P
Purāṇic Narrative
S
Sacred Geography

FAQs

The description preserves cultural details—textiles, perfumes, jewelry, and tāmbūla—useful for studying courtly and ritual aesthetics in Sanskrit narrative literature.

No explicit location occurs in this fragment; the broader passage context (elsewhere in the input) points to named tīrthas.

The verse is primarily descriptive; ethically, it functions as characterization within a tīrtha narrative rather than direct prescription.

Ask anything about this verse

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