Skanda Purana — Prabhasa Khanda, Shloka 12
अनुविद्धा सिता चैव ईर्ष्या हिंसा तथा परा । माया निष्कृतिसंयुक्ता दक्षः पूर्वं महामतिः
anuviddhā sitā caiva īrṣyā hiṃsā tathā parā | māyā niṣkṛtisaṃyuktā dakṣaḥ pūrvaṃ mahāmatiḥ
அனுவித்தா, சீதா; மேலும் ஈர்ஷ்யா, ஹிம்ஸா, பரா; நிஷ்க்ருதியுடன் இணைந்த மாயா—இவ்வாறு பெயர்கள் கூறப்பட்டன. முற்காலத்தில் தக்ஷன் பேரறிவுடையவன்.
Sūta (deduced from Purāṇic māhātmya narration style within Prabhāsakhaṇḍa)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Listener: Devī (varānane)
Scene: An allegorical procession of personified qualities: Īrṣyā with greenish gaze, Hiṃsā with a weapon lowered in shame, Parā as a transcendent luminous figure, Māyā veiled with shimmering patterns, Niṣkṛti holding a water-pot and kusa grass—standing near Dakṣa, who is praised as ‘mahāmati’ in a retrospective frame.
FAQs
Even personified qualities like jealousy and violence are placed within a cosmic genealogy, implying dharma must govern and transform such forces.
The immediate verse is not a tīrtha-praise; it supports the Prabhāsa Māhātmya’s wider sacred narration.
None directly.