कलौ कृष्णपुरीं रम्यां ये गच्छंति नरोत्तमाः । कुलकोटिशतैर्युक्तास्ते गच्छन्ति हरेः पदम्
kalau kṛṣṇapurīṃ ramyāṃ ye gacchaṃti narottamāḥ | kulakoṭiśatairyuktāste gacchanti hareḥ padam
கலியுகத்தில் அழகிய கிருஷ்ணபுரி (த்வாரகா) செல்லும் நரசிறந்தோர், தங்கள் குலத்தின் கோடிக்கணக்கானோருடன் சேர்ந்து ஹரியின் பதத்தை அடைகின்றனர்।
Sūta (deduced; Prabhāsa Khaṇḍa narrative style)
Tirtha: Kṛṣṇapurī / Dvārakā
Type: kshetra
Scene: A noble pilgrim approaches Dvārakā; behind him appear translucent rows of ancestors and descendants, all moving toward a radiant gateway labeled ‘Hareḥ padam’.
Pilgrimage to Dvārakā in Kali-yuga is portrayed as a powerful means to attain Hari’s supreme state, benefiting even one’s lineage.
Kṛṣṇapurī—understood as Dvārakā, the sacred city of Bhagavān Kṛṣṇa.
No specific rite is prescribed; the act emphasized is going (pilgrimage) to Dvārakā.