एतस्मात्कारणात्तोयमस्त्ररूपं क्षिपाम्यहम् । संध्या कालं समुद्दिश्य भानुं संध्यां न पार्वति
etasmātkāraṇāttoyamastrarūpaṃ kṣipāmyaham | saṃdhyā kālaṃ samuddiśya bhānuṃ saṃdhyāṃ na pārvati
இதனால் நான் இந்த நீரை ஆயுத வடிவில் எறிகிறேன்; சந்த்யாகாலத்தை நோக்கி, பானுவை (சூரியனை) குறிவைத்து—பார்வதியே! இது பெண் வடிவ சந்த்யைக்கு வணக்கம் அல்ல; சூரியரட்சைக்காகவே.
Śiva (Mahādeva)
Listener: Pārvatī
Scene: Teacher-figure (Brahmā-like) instructs Pārvatī: one hand gestures to the twilight horizon, the other shows water as a radiant ‘weapon’; the Sun is depicted moving safely.
Ritual acts are to be understood by their dhārmic purpose: Sandhyā rites protect cosmic rhythm and are not mere personal preference.
The passage belongs to a tīrtha-māhātmya framework, emphasizing the sanctifying power of Sandhyā performed in sacred settings, without naming a specific site here.
Casting/using water at Sandhyā time (sāndhyajala) as a protective, weapon-like ritual gesture associated with Sandhyā-vandana.