देवानां च तथर्षीणां सिद्धानां फणिनामपि । आनीय मंगलकराः कन्याः षोडशषोडश
devānāṃ ca tatharṣīṇāṃ siddhānāṃ phaṇināmapi | ānīya maṃgalakarāḥ kanyāḥ ṣoḍaśaṣoḍaśa
தேவர்கள், ரிஷிகள், சித்தர்கள், மேலும் பணி (நாக) அரசர்களிடமிருந்தும் மங்களகரமான கன்னியர்—பதினாறு பதினாறாக—அழைத்து வரப்பட்டனர்।
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Kāśī (Avimukta)
Type: kshetra
Listener: Ṛṣi-assembly (frame assumed)
Scene: A grand pavilion where radiant maidens appear in orderly groups—some with deva-like luminosity, some ascetic-ṛṣi lineage, some siddha aerial grace, some nāga-regal ornaments—each bearing auspicious items for the rite.
A sacred ceremony is portrayed as universally auspicious, drawing participants from multiple realms—signifying cosmic harmony around dharma.
Kāśī is the overarching sacred setting; the verse focuses on ceremonial attendance rather than naming a particular tīrtha.
It mentions arranging maṅgala attendants (kanyās) in specified numbers (sixteen and sixteen), a common Purāṇic motif for auspicious rites.