तेपाते धर्मतनयौ तपः परमदुश्चरम् । तावस्माकं वरारोहाः कुर्वाणौ परमं तपः
tepāte dharmatanayau tapaḥ paramaduścaram | tāvasmākaṃ varārohāḥ kurvāṇau paramaṃ tapaḥ
தர்மனின் அந்த இரு புதல்வரும் மிகக் கடினமான தவத்தைச் செய்கின்றனர். ஓ அழகிய அங்கங்களையுடையவர்களே, நம்மைக் குறித்து அவர்கள் உன்னதத் தவத்தில் ஈடுபட்டுள்ளனர்.
Indra (Śakra)
Tirtha: Gandhamādana tapo-kṣetra
Type: peak
Listener: Apsarases (within the embedded scene); king (frame listener)
Scene: Nara and Nārāyaṇa seated in yogic stillness amid snow-bright Himalayas; their tapas radiates like a subtle aura, while celestial beings watch with anxious reverence.
Tapas is portrayed as a force that can reshape destiny; hence it is guarded and often tested—yet it remains the path of inner mastery.
The broader episode is anchored at Gandhamādana; this verse emphasizes the intensity of the sages’ austerity rather than a named tīrtha.
No explicit prescription; it underscores ‘parama tapaḥ’—the highest austerity—being performed.