Sukta 4.33
पुनर्ये चक्रुः पितरा युवाना सना यूपेव जरणा शयाना । ते वाजो विभ्वाँ ऋभुरिन्द्रवन्तो मधुप्सरसो नोऽवन्तु यज्ञम् ॥
púnar yé cakrúḥ pitárā yúvānā sánā yū́peva jarāṇā́ śáyānā | té vājó víbhvā̃ ṛbhúr índravanto mádhupsaraso no ’vantu yajñám ||
ஜீर्णமான தூணைப் போல முதுமையுடன் கிடந்த இரு பிதர்களை மீண்டும் இளமையாக்கியவர்கள்—வாஜ, விப்வான், ரிபு எனும் அந்த ரிபுக்கள்—இந்திர-வலத்தால் நிறைந்தும் மதுரஸம் சொட்டியும், எங்கள் யஜ்ஞத்தை காத்தருள்வாராக.
The Ṛbhus—Vāja, Vibhvā, and Ṛbhu—who restored the two Parents to youth though they lay aged like a worn sacrificial post, are invoked to protect the yajña, being full of Indra’s power and dripping with sweetness.
The Ṛbhus are the divine artisans of consciousness: powers of skill (ṛbhu/ṛbhukṣaṇa) that can renew the fundamental dual principles (‘two Parents’: Heaven–Earth, or Mind–Life) when they have become inert, habitual, and ‘aged’. The ‘worn post’ suggests a fixed, rigid support of old formations. By Indra-force (illumined mind) and honeyed rasa (soma-like delight), these powers safeguard the inner sacrifice—our offering of works, attention, and will—so the yoga does not relapse into mechanical routine.
Renewal is possible even when the foundations of life feel exhausted: right skill allied to illumination and delight can re-youth the primal supports of existence and protect the transformative work.
rejuvenation, overcoming inertia, delight in work, protection of yajña
Gautama-Aṅgirasa line; hymns often emphasize inner illumination, truth-speaking, and the crafting of the sacrifice as a progressive yoga.
Vāmadeva’s vision frequently turns ritual images into a psychology of transformation: the gods are powers of consciousness; the yajña is the disciplined ascent from obscurity to truth and wideness.
Divine artisans who perfect forms, multiply capacities, and restore harmony by right measure and luminous workmanship.
The yogic faculty of ‘right formation’: precise discernment, patient refinement, and creative transformation of mind-life instruments so they can hold more delight and light.
Ṛbhu-related praises within Soma-yajña sequences (general Śrauta usage; also recitational stotras/śastras by tradition).
पुन॒र्ये च॒क्रुः पि॒तरा॒ युवा॑ना॒ सना॒ यूपे॑व जर॒णा शया॑ना । ते वाजो॒ विभ्वाँ॑ ऋ॒भुरिन्द्र॑वन्तो॒ मधु॑प्सरसो नोऽवन्तु य॒ज्ञम् ॥
पुनः॑ । ये । च॒क्रुः । पि॒तरा॑ । युवा॑ना । सना॑ । यूपा॑ऽइव । ज॒र॒णा । शया॑ना । ते । वाजः॑ । विऽभ्वा॑ । ऋ॒भुः । इन्द्र॑वन्तः॑ । मधु॑ऽप्सरसः । नः॒ । अ॒व॒न्तु॒ । य॒ज्ञम् ॥
punaḥ | ye | cakruḥ | pitarā | yuvānā | sanā | yūpāiva | jaraṇā | śayānā | te | vājaḥ | vi-bhvā | ṛbhuḥ | indravantaḥ | madhu-psarasaḥ | naḥ | avantu | yajñam
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4 pādas of ~11 syllables each
Forward-driving, declarative cadence suited to heroic accomplishment and decisive invocation.
Builds confidence and upward momentum; supports a felt sense of renewal and protection around the inner work.
Invokes Rbhus’ renewing power to sustain yajña; ritually resonates with renewal/reconsecration motifs in Soma cycles and the re-making of implements.
During Soma pressing sessions or hymnic invocations to artisan-deities for ‘perfecting’ the rite.
Recitation to invite protection and right formation of the offering; consecration of vessels and the work.
Use before meditation or sādhanā to invoke renewal of tired faculties and to ‘re-consecrate’ daily practice when it becomes mechanical.
yū́pa- 'sacrificial post' from √yup (to fasten/attach) conveys fixity; used as simile for rigid aged formation. yúvan- 'young' from PIE *h₂yuHn̥ 'young' (cf. Latin iuvenis). mádhu 'honey/sweet' from PIE *médʰu (cf. English mead). vāja- from √vaj/√vaj 'to be strong, vigorous' → 'plenitude of force'.
renewal of the foundations of consciousness, ānanda (madhu) as sweetness of perfected work
The Ṛbhus embody ṛta as right measure and right making—restoring order by perfect workmanship.
Renewal is grounded in truth-power: the right seeing and right word that can re-form life.
Re-creation/renovation: the cosmos is not only made once; it is continually re-fashioned toward higher harmony.
Proto-Vedāntic and yogic reading (Aurobindo/Kashyap): gods as powers of consciousness; sacrifice as inner ascent.
From rigidity and fatigue (aged post) to renewed elasticity (youth) through illumined skill and delight.
Rejuvenation of the ‘two supports’ (mind and life-force) by invoking skill, illumination, and sweetness in practice.
Anāhata (sweetness/rasa) with support from Ājñā (illumination/Indra).
Moderate nāḍī-śodhana for 6–8 rounds, then silent repetition on natural breath.
From tamasic heaviness to clarified, workable steadiness with a taste of delight.
Offer one fatigued faculty (attention, will, or emotion) into the inner fire; imagine it ‘re-made’—not by force, but by right shaping and luminous patience.
Use Rigvedic accenting: maintain udatta as the raised tone, anudatta as lowered, svarita as falling; follow padapāṭha word-division for clarity.
Keep ‘punar’ lightly initiating; emphasize the divine agents ‘te vājo vibhvān ṛbhuḥ’; do not over-stress enclitics like ‘no’.
ṛ in ṛbhu is a vocalic ‘r’ (short), not ‘ri’., vibhvām̐: nasalization on final ‘ām̐’—soft anusvāra., madhupsarasaḥ: articulate the compound with clear ‘dhup-sa-ra-saḥ’., yūpeva: glide ‘yūp-ēva’ without breaking the sandhi.
Clear, bright, slightly resonant (chest-to-head balance) to evoke protection and renewal.
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