Narada Purana — Purva Bhaga, Shloka 52
The Greatness of Viṣṇu
Uttaṅka’s Hymn, Hari’s Manifestation, and the Boon of Bhakti
त्वया कृतमिदं स्तोत्रं यः पठेत्सततं नरः । सर्वान्कामानवाप्यान्ते मोक्षभागी भवेत्ततः ॥ ५२ ॥
tvayā kṛtamidaṃ stotraṃ yaḥ paṭhetsatataṃ naraḥ | sarvānkāmānavāpyānte mokṣabhāgī bhavettataḥ || 52 ||
நீ இயற்றிய இந்த ஸ்தோத்திரத்தை எவன் இடையறாது பாராயணம் செய்கிறானோ, அவன் எல்லா விருப்பப் பயன்களையும் பெற்று, இறுதியில் மோட்சப் பாக்கியத்தை அடைவான்.
Sanatkumara (addressing Narada, concluding the stotra’s recitation-fruit)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It states the phala-śruti: steady recitation of the prescribed hymn yields both worldly fulfillments (kāma) and the supreme end—mokṣa—showing devotion as a complete sādhana.
By emphasizing satata-pāṭha (continuous recitation), it presents bhakti as sustained remembrance and praise (stotra), culminating not only in blessings but in liberation.
It highlights disciplined pāṭha (recitation practice) and the phala-śruti framework used in ritual and devotional texts; no specific Vedāṅga (like Jyotiṣa or Vyākaraṇa) is directly taught in this verse.