Narada Purana — Purva Bhaga, Shloka 20
The Greatness of Viṣṇu
Uttaṅka’s Hymn, Hari’s Manifestation, and the Boon of Bhakti
वरं वरेण्यं वरदं पुराणं । सनातनं सर्वगतं समस्तम् । नतोऽस्मि भूयोऽपि नतोऽस्मि भूयो । नतोऽस्मि भूयोऽपि नतोऽस्मि भूयः ॥ २० ॥
varaṃ vareṇyaṃ varadaṃ purāṇaṃ | sanātanaṃ sarvagataṃ samastam | nato'smi bhūyo'pi nato'smi bhūyo | nato'smi bhūyo'pi nato'smi bhūyaḥ || 20 ||
மிகச் சிறந்த, தேர்வுக்குரிய, வரம் அருளும், புராணமான, சனாதனமான, எங்கும் நிறைந்த, முழுமையான அவருக்கு நான் மீண்டும் மீண்டும் வணங்குகிறேன். மீண்டும் வணக்கம், மீண்டும் வணக்கம்—மறுமற வணக்கம்.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
The verse teaches that the Purāṇa itself is approached as a sacred, living vehicle of dharma—eternal and all-pervading—and that humility (repeated namaskāra) is the proper inner posture for receiving its liberating instruction.
By repeatedly bowing, the speaker models bhakti as surrender and reverence; devotion is expressed not only toward a deity but also toward the śāstra that reveals the Lord and guides practice, making scripture-hearing and honoring a central limb of bhakti.
Indirectly, it highlights śāstra-maryādā: disciplined reverence to textual authority and proper recitational attitude—supportive of Vedāṅga practices like śikṣā (correct recitation) and vyākaraṇa (clarity of meaning) when studying Purāṇic Sanskrit.