Maṅgalācaraṇa, Naimiṣāraṇya-Sabhā, Sūta-Āhvāna, and Narada Purāṇa-Māhātmya
वावयेत्पुरतो विष्णोः पुण्यक्षेत्रे द्विजान्तिके । ब्रह्यद्रोहपराणां च दंभाचारयुतात्मनाम् ॥ ४८ ॥
vāvayetpurato viṣṇoḥ puṇyakṣetre dvijāntike | brahyadrohaparāṇāṃ ca daṃbhācārayutātmanām || 48 ||
விஷ்ணுவின் முன்னிலையில், புண்ணியத் தலத்தில், பிராமணர்களின் அருகில் இதை ஓதச் செய்ய வேண்டும்—குறிப்பாக பிரஹ்ம/பிராமண துரோகத்தில் ஈடுபட்டு, வஞ்சகமும் தீய நடத்தையும் சேர்ந்த மனம் உடையவர்களுக்காகவும்.
Narada (instructional narration within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: karuna
It prescribes a corrective, purificatory act—devotional recitation before Viṣṇu at a sacred place in the presence of brāhmaṇas—aimed at reforming those tainted by brahma-droha (anti-sacred hostility) and dambha (hypocrisy).
Bhakti is presented as an active remedial discipline: placing oneself before Viṣṇu and engaging in sanctioned recitation (parāyaṇa) within a dharmic setting (tīrtha and brāhmaṇa-satsaṅga) to transform impure tendencies.
It highlights ritual-practice protocol (proper place—puṇyakṣetra; proper officiant/audience—dvija), aligning devotional recitation with dharmic procedure—closest to Kalpa-oriented discipline (right performance and context).