Adhyaya 62 — The Fire-God Enters the Brahmin Youth; Varuthini’s Love-Sickness and Kali’s Disguise
जगाम च त्वरायुक्तस्तया देव्याः निरीक्षितः ।
आदृष्टिपातात्तन्वङ्ग्या निश्वासोत्कम्पिकन्धरम् ॥
jagāma ca tvarāyuktas tayā devyā nirīkṣitaḥ | ādṛṣṭipātāt tanvaṅgyā niśvāsotkampikandharam ||
அவன் விரைவாகச் சென்றான்; ஆனால் அந்த தெய்வக் கன்னியின் பார்வை பட்டவுடன்—அந்த மெலிந்த அங்கங்களுடையவளின் கடாக்ஷப் பாய்ச்சலால்—அவனது தொண்டை நெடுமூச்சுகளால் நடுங்கியது।
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The text marks desire by physiological signs (sighing, trembling), implying that unguarded sensory contact can disturb composure—setting the stage for teaching about restraint and mindfulness.
Narrative depiction of kāma; not pañcalakṣaṇa.
The ‘glance’ functions like a subtle transmission (saṅketa) that agitates prāṇa; it dramatizes how saṃskāras can be activated instantly through sense-doors.