Shloka 54
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
यदित्रयं तथाऽतोद्यं मया दत्तं चतुर्विधम् ।
एतद्भवान् मत्प्रसादात् पन्नगेन्द्रापरं च यत् ॥
yaditrayaṃ tathā'todyaṃ mayā dattaṃ caturvidham / etadbhavān matprasādāt pannagendrāparañca yat
மும்மை (ஒரு தொகுதி) மற்றும் நான்கு வகை ஆத்தோத்தியம் (வாத்தியங்கள்) இவற்றை நான் அளித்தேன். என் அருளால் இதையும், மற்ற நாகாதிபதியுடன் தொடர்புடைய அனைத்தையும் நீ அறிந்துகொள்வாய்.
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
Arts are treated as a legitimate domain of dharma: they can be ‘given’ and conserved through right lineages, not treated as mere entertainment.
Encyclopedic cultural teaching within narrative; not a core pancalakṣaṇa enumeration.
Instrumental categories suggest that manifestation (nāda) diversifies into forms, yet remains rooted in a single source—Sarasvatī as the power of ordered expression.