देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
समायुक्तो निवृत्तात्मा धर्मयुक्तः सदाशिवः चतुर्मुखश्चतुर्बाहुर् दुरावासो दुरासदः
samāyukto nivṛttātmā dharmayuktaḥ sadāśivaḥ caturmukhaścaturbāhur durāvāso durāsadaḥ
அவர் யோகத்தில் முற்றும் இணைந்தவன், நிவ்ருத்தாத்மா—விஷயத் தாகத்திலிருந்து விலகியவன்—மற்றும் தர்மயுக்த சதாசிவன். அவர் நான்முகன், நான்கைமையன்; அவன் வாசஸ்தலம் அரிது, அவனும் துராசதன்—பந்தமற்ற சாதகனுக்கே அணுகத்தக்கவன்।
Suta Goswami (narrating a Shiva-stuti in the Linga Purana’s Sahasranama-style section)
It frames Shiva as the transcendent Pati—approached not merely by outward ritual but by inner yogic integration (samāyukta) and withdrawal (nivṛtti); Linga worship is thus validated as both ritual and contemplative ascent toward the hard-to-reach Reality.
Shiva is portrayed as Sadāśiva: eternally auspicious, established in Dharma, inwardly detached, and yet manifest with divine form (four faces and arms). He is ‘durāsada’—not grasped by ordinary pashu-consciousness bound by pasha, but realized through purification and grace.
The verse highlights nivṛtti and samādhi-oriented discipline—Pāśupata-style inner restraint and yogic steadiness—implying that effective Shiva-pūjā culminates in mental withdrawal, dharmic conduct, and focused contemplation of the Linga as Shiva-tattva.