Shloka 54

Adhyaya 4: अहोरात्र-युग-मन्वन्तर-कल्पमान तथा प्रलयान्ते सृष्ट्युपक्रमः

Devanagari script

असंख्याताश् च संक्षेपात् प्रधानाद् अन्वधिष्ठितात् असंख्याताश् च कल्पाख्या ह्य् असंख्याताः पितामहाः

Transliteration

asaṃkhyātāś ca saṃkṣepāt pradhānād anvadhiṣṭhitāt asaṃkhyātāś ca kalpākhyā hy asaṃkhyātāḥ pitāmahāḥ

Translation

இங்கு சுருக்கமாகக் கூறப்பட்ட, இறைவன் ஆதிஷ்டித்த அவ்யக்த பிரதானத்திலிருந்து ‘கல்ப’ எனப்படும் எண்ணற்ற சுழற்சிகள் தோன்றுகின்றன; அதன்படி எண்ணற்ற பிதாமகர்கள் (பிரம்மாக்கள்) வெளிப்படுகின்றனர்.

Word by Word

• asaṃkhyātāḥ: innumerable

• ca: and

• saṃkṣepāt: in brief/summary

• pradhānāt: from Pradhāna (primordial unmanifest nature)

• anvadhiṣṭhitāt: presided over/superintended (by the Lord)

• kalpākhyāḥ: named as kalpas (aeons)

• hi: indeed

• asaṃkhyātāḥ: innumerable

• pitāmahāḥ: Pitāmahas, i.e., Brahmās (cosmic grandsires)

Speaker

Suta Goswami

Characters & Entities

• Shiva
• Brahma
• Pradhana

FAQs

What is the importance of this verse in the context of Linga worship?

It frames creation as endlessly cyclical and governed by a higher presiding principle; Linga worship centers on that Pati—Shiva—who transcends and oversees Pradhāna and time (kalpa).

How does this verse describe the nature of Shiva (Shiva-tattva)?

By implying an ‘adhiṣṭhāna’ (superintendence) over Pradhāna, it points to Shiva-tattva as the conscious Lord (Pati) who regulates manifestation while remaining beyond the unmanifest source.

What ritualistic or Yogic practice is highlighted here?

No specific rite is prescribed in this verse; the takeaway supports Pāśupata Yoga contemplation—discerning Pati (Shiva) as distinct from Pradhāna (prakṛti) and from the changing kalpas that bind the paśu through pasha.