HomeVaraha PuranaAdhyaya 70Shloka 16
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Varaha Purana 70.16: Adhyaya 70, Shloka 16

Nārāyaṇa as the Sacrificial Principle, Analysis of the Three Guṇas, and the Account of Delusion-Doctrines

नारायणः परो देवः सत्त्वरूपो जनार्दनः । त्रिधात्मानं स भगवाँन् ससर्ज परमेश्वरः ॥ ७०.१६ ॥

Sanskrit recitationVaraha Purana 70.16

nārāyaṇaḥ paro devaḥ sattvarūpo janārdanaḥ | tridhātmānaṃ sa bhagavān sasarja parameśvaraḥ || 70.16 ||

नारायणः परो देवः सत्त्वस्वरूपो जनार्दनः। स भगवाञ् परमेश्वरस्त्रिधात्मानं ससर्ज।

नारायणःNārāyaṇa
नारायणः:
कर्ता (Karta/Subject)
TypeNoun
Rootनारायण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular)
परःsupreme
परः:
विशेषण (Adjectival to subject)
TypeAdjective
Rootपर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; विशेषण (qualifier)
देवःgod
देवः:
कर्ता (Karta/Subject, appositive)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; समानााधिकरण (apposition)
सत्त्व-रूपःof the form of sattva
सत्त्व-रूपः:
विशेषण (Adjectival to subject)
TypeAdjective
Rootसत्त्व (प्रातिपदिक) + रूप (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; षष्ठी-तत्पुरुष (genitive determinative) ‘सत्त्वस्य रूपः’
जनार्दनःJanārdana (Viṣṇu)
जनार्दनः:
कर्ता (Karta/Subject, appositive)
TypeNoun
Rootजनार्दन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; समानााधिकरण
त्रिधा-आत्मानम्the self as threefold
त्रिधा-आत्मानम्:
कर्म (Karma/Object)
TypeNoun
Rootत्रिधा (अव्यय) + आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (Accusative/2nd), एकवचन; अव्ययीभाव ‘त्रिधा’ + ‘आत्मानम्’ = ‘त्रिधात्मानम्’ (as threefold self)
सःhe
सः:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; सर्वनाम (pronoun)
भगवान्the Blessed Lord
भगवान्:
कर्ता (Karta/Subject, appositive)
TypeNoun
Rootभगवत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; समानााधिकरण
ससर्जcreated
ससर्ज:
क्रिया (Verb/Action)
TypeVerb
Rootसृज् (धातु)
Formलिट्-लकार (Perfect), प्रथम-पुरुष (3rd person), एकवचन; परस्मैपद
परम-ईश्वरःthe Supreme Lord
परम-ईश्वरः:
कर्ता (Karta/Subject, appositive)
TypeNoun
Rootपरम (प्रातिपदिक) + ईश्वर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (Nominative), एकवचन; कर्मधारय ‘परमः ईश्वरः’

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"dialogue","earth_interaction":"Doctrinal instruction within the Varāha–Bhū framework: Varāha’s tradition affirms Nārāyaṇa’s supremacy; no physical earth-lifting described here."}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Foreshadows Kṛṣṇa as Janārdana/Nārāyaṇa’s avatāra identity (implicit via the name Janārdana)."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Yajña-Varāha theology converges with Nārāyaṇa-supremacy: the boar-avatāra is the same supreme who manifests guṇas and the tri-fold constitution for cosmic function while remaining ‘para’.","yajna_varaha_imagery":"‘sattvarūpa’ aligns the preserver aspect with sattva-guṇa; ‘tridhātmānam sasarja’ evokes triadic manifestation (e.g., guṇas/threefold body-mind complex) as the sacrificial-cosmic ordering principle.","vedantic_connection":"Purāṇic Vedānta with Sāṃkhya coloring: the supreme (Nārāyaṇa) as īśvara causes the emergence of triadic structures (guṇas/adhyātma triad) without losing transcendence."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology with Sāṃkhya-influenced cosmology","core_concept":"Nārāyaṇa/Janārdana is para-deva; the cosmos’ triadic constitution is a deliberate manifestation under the supreme lordship, with sattva as the revealing/preserving mode.","practical_application":"Anchor devotion and ethical life in a single highest principle; interpret worldly plurality (triads/guṇas) as functional manifestation, not ultimate fragmentation."}

Subject Matter: ["Cosmology","Philosophy","Theology"]

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: metaphysical doctrine

Related Themes: Varāha Purāṇa 70.70.15 (the supreme as source and dissolution-ground)

Visual Art Cues: {"scene_description":"A doctrinal icon: Nārāyaṇa/Janārdana as serene, sattvic supreme, emanating a triadic cosmic principle (three guṇas/threefold self) as ordered rays or three streams.","item_prompts":["Nārāyaṇa with śaṅkha-cakra-gadā-padma","radiant sattvic aura (white/golden)","three emanating streams/symbols (triad)","subtle cosmic background (three worlds)","teacher-figure indicating the supreme"],"kerala_mural_prompt":"Kerala mural: Nārāyaṇa in iconic frontal pose with strong outlines; three symbolic emanations as stylized bands; rich but sattvic palette with luminous highlights.","tanjore_prompt":"Tanjore: Nārāyaṇa central with heavy gold-leaf prabhā; embossed ornaments; three gem-like emanation motifs; symmetrical composition.","mysore_prompt":"Mysore: elegant Nārāyaṇa with soft modeling; triad shown as delicate rays/lotuses; refined ornamentation and calm expression.","pahari_prompt":"Pahari: lyrical Nārāyaṇa on a cloud/lotus; three flowing ribbons representing triad; cool mountain-sky palette and fine detailing."}

Audio Atmosphere: {"recitation_mood":"devotional and contemplative","suggested_raga":"Kalyani (or Yaman)","pace":"slow-medium","voice_tone":"serene, confident, with gentle emphasis on ‘Nārāyaṇaḥ paro devaḥ’"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sāṃkhya-influenced Cosmology

FAQs

It reflects a common Purāṇic strategy of identifying a supreme deity (here, Nārāyaṇa/Janārdana) as the ultimate source of creation, using philosophical vocabulary (e.g., sattva, triadic principles) that aligns with wider classical Indian cosmological discourse.

No geographic location is named in this verse; the content is primarily cosmological and doctrinal rather than topographical.

The verse does not present a direct ethical injunction; its philosophical instruction is the portrayal of an ordered cosmos originating from a supreme principle characterized as sattva (clarity/purity), which later Purāṇic contexts often associate with normative ideals of harmony and stability.

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