HomeVaraha PuranaAdhyaya 6Shloka 18
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Varaha Purana 6.18: Adhyaya 6, Shloka 18

The Puṇḍarīkākṣapāraka Hymn and Puṣkara Tīrtha: The Account of King Vasu’s Release from Sin

एवं तु वदतस्तस्य मूर्त्तिमान् पुरुषः किल । निर्गत्य देहान्नीलाभो घनचण्डो भयंकरः ॥ ६.१८ ॥

Sanskrit recitationVaraha Purana 6.18

evaṃ tu vadatas tasya mūrttimān puruṣaḥ kila | nirgatya dehān nīlābho ghanacaṇḍo bhayaṃkaraḥ || 6.18 ||

एवं वदतः तस्य देहात् किल मूर्तिमान् पुरुषो निर्गतः। स नीलाभो घनचण्डो भयंकरश्च॥

evamthus
evam:
Sambandha (सम्बन्ध; manner)
TypeIndeclinable
Rootevam (अव्यय)
FormPrakāra-avyaya (adverb of manner/प्रकार)
tubut/indeed
tu:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
FormAvadhāraṇa/viśeṣaṇa-avyaya (particle/तु)
vadataḥof (him) speaking
vadataḥ:
Sambandha (सम्बन्ध; genitive relation)
TypeNoun
Root√vad (वद्) → vadat (कृदन्त; śatṛ)
FormVartamāna-kṛdanta (present participle/शतृ), Pumliṅga, Ṣaṣṭhī vibhakti (6th/षष्ठी), Ekavacana; genitive ‘of (him) speaking’
tasyaof him
tasya:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (प्रातिपदिक)
FormSarvanāma, Pumliṅga/Napumsaka, Ṣaṣṭhī, Ekavacana; ‘of him’
mūrtimānembodied, having a form
mūrtimān:
Karta (कर्ता)
TypeAdjective
Rootmūrti + mat (प्रातिपदिक)
FormTatpuruṣa/secondary derivation: mūrti-mat (‘possessing form’); Pumliṅga, Prathamā, Ekavacana; viśeṣaṇa of ‘puruṣaḥ’
puruṣaḥa person
puruṣaḥ:
Karta (कर्ता)
TypeNoun
Rootpuruṣa (प्रातिपदिक)
FormPumliṅga, Prathamā, Ekavacana; subject
kilaindeed, it is said
kila:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootkila (अव्यय)
FormNipāta (particle indicating report/tradition/किल)
nirgatyahaving emerged
nirgatya:
Kriyāviśeṣaṇa (क्रियाविशेषण; prior action)
TypeIndeclinable
Rootnir + √gam (गम्)
FormKtvā-pratyaya (absolutive/क्त्वान्त), avyaya; ‘having come out’
dehātfrom the body
dehāt:
Apādāna (अपादान)
TypeNoun
Rootdeha (प्रातिपदिक)
FormPumliṅga, Pañcamī vibhakti (5th/पञ्चमी), Ekavacana; source/separation
nīlābhaḥblue-hued
nīlābhaḥ:
Karta (कर्ता)
TypeAdjective
Rootnīla + ābha (प्रातिपदिक)
FormKarmadhāraya: nīla-ābha (‘blue in appearance’); Pumliṅga, Prathamā, Ekavacana; viśeṣaṇa of ‘puruṣaḥ’
ghana-caṇḍaḥvery fierce
ghana-caṇḍaḥ:
Karta (कर्ता)
TypeAdjective
Rootghana + caṇḍa (प्रातिपदिक)
FormKarmadhāraya: ghana-caṇḍa (‘fierce like a dense cloud / very fierce’); Pumliṅga, Prathamā, Ekavacana; viśeṣaṇa of ‘puruṣaḥ’
bhayaṃkaraḥterrifying
bhayaṃkaraḥ:
Karta (कर्ता)
TypeAdjective
Rootbhayaṃkara (प्रातिपदिक)
FormTatpuruṣa: bhayaṃ-kara (‘fear-causing’); Pumliṅga, Prathamā, Ekavacana; viśeṣaṇa of ‘puruṣaḥ’

Varāha (default speaker framework; not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":true,"boar_form_detail":"None (the verse describes emergence of a nīlābha, ghana-caṇḍa, bhayaṅkara embodied being, not Varāha’s boar anatomy).","earth_interaction":"None (narrative shift: a manifested being emerges as a consequence of speech; no direct Bhū contact described)."}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false,"krishna_connection":"Dark-blue (nīlābha) hue can evoke Vaiṣṇava iconography, but here it functions as a terrifying manifested entity; no Mathurā/Kṛṣṇa linkage stated."}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Ontology of manifestation: speech/intent precipitates embodied forces (personified bhāvas or karmic agencies). The ‘emerging from the body’ motif mirrors Purāṇic externalization of inner potency into a devatā/daitya-like agent.","yajna_varaha_imagery":"Not explicit; only the general Purāṇic idea that powers (śakti/tejas) can become ‘mūrti-mat’ and act in the world, akin to ritual potency becoming effective (phala) when ‘embodied’ as result.","vedantic_connection":"Sāṅkhya-tinged Purāṇic cosmology: subtle causes becoming gross forms; also the idea of tejas/śakti as emanative from a locus (deha) into a distinct agent."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Ontology / Moral psychology (personification)","core_concept":"Inner potency or consequence can externalize into an embodied agent; the unseen becomes seen when karmic/narrative conditions ripen.","practical_application":"Treat speech and intention as causally potent; cultivate restraint and purity since outcomes can ‘take form’ and confront the actor."}

Subject Matter: ["Cosmology","Mythic Narrative","Ontology of Manifested Beings"]

Primary Rasa: bhayānaka

Secondary Rasa: adbhuta

Type: Narrative space (court/encounter setting implied)

Related Themes: Varāha Purāṇa: episodes where tejas/śāpa/phala becomes personified (general motif)

Visual Art Cues: {"scene_description":"From a central figure’s body (the one ‘speaking thus’), a terrifying dark-blue embodied being bursts forth—dense, violent, and fearsome—filling the space with ominous presence.","item_prompts":["dark-blue (nīlābha) figure emerging","aura like storm-cloud density (ghana)","fierce posture, wide eyes","onlookers recoiling","source figure in mid-speech"],"kerala_mural_prompt":"Kerala mural: dramatic emergence with bold outlines; nīlābha figure with exaggerated eyes and dynamic limbs; swirling cloud motifs; warm background to heighten contrast.","tanjore_prompt":"Tanjore: central emergence scene with heavy gold halo around the source figure; dark-blue antagonist with embossed ornaments; dramatic red-black backdrop.","mysore_prompt":"Mysore: controlled drama—fine detailing of musculature and expression; chiaroscuro-like shading to convey ‘ghana’ density.","pahari_prompt":"Pahari: stylized storm-cloud wash behind the emerging figure; expressive faces of witnesses; compact composition emphasizing suddenness."}

Audio Atmosphere: {"recitation_mood":"Ominous, suspenseful","suggested_raga":"Bhairavi","pace":"medium","voice_tone":"grave, slightly intensified on ghana-caṇḍa/bhayaṅkara"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It preserves a common Purāṇic narrative motif: the sudden manifestation of an embodied entity from a principal figure, reflecting medieval Sanskrit cosmological imagination and literary conventions of personification.

No geographic location is named in this verse fragment; it focuses on a narrative manifestation rather than sacred geography.

No direct ethical instruction is explicit here; the verse functions primarily as narrative description, establishing the appearance and character (terrifying, fierce) of an emergent being.

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