HomeVaraha PuranaAdhyaya 53Shloka 22
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Varaha Purana 53.22 — Adhyaya 53, Shloka 22

The Origin Account of Saptamūrti Svara and the Emergence of Saṃbhūti through Vibhūti

एवं कृते शरीरं तु ददर्श स पुनः प्रभुः । स्वकीयमेवाकाश्यन्तः पितरं नृपसत्तम ॥ ५३.२२ ॥

evaṃ kṛte śarīraṃ tu dadarśa sa punaḥ prabhuḥ | svakīyam evākāśy antaḥ pitaraṃ nṛpasattama || 53.22 ||

एवं कृते शरीरं तु ददर्श स पुनः प्रभुः । स्वकीयमेवाकाश्यन्तः पितरं नृपसत्तम ॥ ५३.२२ ॥

evamthus
evam:
Kriya-visheshaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootevam (अव्यय)
FormAdverb (क्रियाविशेषण)
kṛtewhen (it was) done
kṛte:
Adhikarana (अधिकरण)
TypeVerb
Rootkṛ (कृ धातु)
FormPast passive participle (क्त), Locative (7th/सप्तमी), Singular; ‘when it was done’ (saptamī absolute sense)
śarīrambody
śarīram:
Karma (कर्म)
TypeNoun
Rootśarīra (प्रातिपदिक)
FormNeuter, Accusative (2nd/द्वितीया), Singular
tubut, indeed
tu:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Roottu (अव्यय)
FormParticle (निपात) = contrast/emphasis
dadarśahe saw
dadarśa:
Kriya (क्रिया)
TypeVerb
Rootdṛś (दृश् धातु)
FormLiṭ (Perfect/लिट्), 3rd Person, Singular, Parasmaipada
sahe
sa:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
punaḥagain
punaḥ:
Kriya-visheshaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootpunaḥ (अव्यय)
FormAdverb (पुनरावृत्तिवाचक अव्यय)
prabhuḥthe lord/master
prabhuḥ:
Karta (कर्ता)
TypeNoun
Rootprabhu (प्रातिपदिक)
FormMasculine, Nominative (1st), Singular
svakīyamhis own
svakīyam:
Karma (कर्म)
TypeAdjective
Rootsvakīya (प्रातिपदिक)
FormNeuter, Accusative (2nd), Singular; ‘one’s own’
evaindeed, only
eva:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rooteva (अव्यय)
FormEmphatic particle (अवधारण निपात)
ākāśīspace/sky
ākāśī:
Karma (कर्म)
TypeNoun
Rootākāśa (प्रातिपदिक)
FormNeuter, Accusative (2nd), Singular; object of implied verb (e.g., ‘saw/recognized’)
antaḥwithin
antaḥ:
Desha-adhikaraṇa (देशाधिकरण)
TypeIndeclinable
Rootantaḥ (अव्यय/निपात)
FormAdverb/particle meaning ‘within/inside’ (अन्तर्वाचक अव्यय)
pitaramfather
pitaram:
Karma (कर्म)
TypeNoun
Rootpitṛ (पितृ प्रातिपदिक)
FormMasculine, Accusative (2nd), Singular
nṛpasattamaO best of kings
nṛpasattama:
Sambodhana (सम्बोधन)
TypeNoun
Rootnṛpa-sattama (प्रातिपदिक)
FormMasculine, Vocative (8th/सम्बोधन), Singular; समास: नृप + सत्तम (‘best of kings’)

Varāha (default attribution within Varāha Purāṇa dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘lord’ beholding the body again and seeing the father ‘within the sky’ suggests ascent from bodily layers to ancestral/causal planes; ‘ākāśa’ functions as the subtle field where lineage and karmic continuity are perceived.","yajna_varaha_imagery":"Ākāśa as the yajña-space (antarikṣa) where offerings reach the pitṛs; the vision of the father echoes pitṛ-loka access through subtle sight.","vedantic_connection":"From gross body (sthūla) to subtle space (ākāśa) as a metaphor for moving from external identity to causal relations; also hints at the witness-consciousness pervading space-like."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Theology of subtle perception","core_concept":"Beyond the body, one may perceive causal relations (pitṛ/lineage) in subtler domains.","practical_application":"Cultivate purity and inwardness so perception is not confined to the gross; remember duties to ancestors as part of dharmic continuity (without making this verse a direct rule)."}

Subject Matter: ["Genealogy","Kingship","Afterlife imagery","Narrative theology"]

Primary Rasa: Adbhuta

Secondary Rasa: Karuna

Type: Cosmic realm

Related Themes: 53.53.23 (unmanifest in all beings)

Visual Art Cues: {"scene_description":"After the cutting sequence, the scene shifts: the lord looks again at the body, then gazes upward and beholds his father appearing within the expanse of the sky.","item_prompts":["a body lying or standing as a ‘seen object’","upward gaze toward a vast sky","a translucent ancestral figure in the heavens","subtle cloud/ether motifs indicating ākāśa"],"kerala_mural_prompt":"Kerala mural, dramatic sky band with stylized clouds; ancestral figure rendered semi-transparent with traditional ornaments; the observer in composed stance, gesture of recognition.","tanjore_prompt":"Tanjore, gold-leaf sky aura around the father-figure; strong central composition with the celestial vision above and the body below; rich reds and greens.","mysore_prompt":"Mysore, soft atmospheric sky; father-figure as a gentle apparition; emphasize devotional restraint rather than spectacle.","pahari_prompt":"Pahari, expansive pale sky with a floating ancestor; delicate architecture/ground minimal; narrative clarity with fine facial expressions."}

Audio Atmosphere: {"recitation_mood":"Visionary, solemn","suggested_raga":"Yaman","pace":"Medium-slow","voice_tone":"Reverent, slightly softened on ‘pitaram’ and ‘ākāśe’"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaishnavism
I
Indic Genealogies

FAQs

It reflects a common Purāṇic narrative technique: legitimizing royal lineages and ethical kingship through encounters with ancestors and otherworldly scenes, a motif used across Sanskrit itihāsa–purāṇa literature.

No specific terrestrial location is named in this verse; the setting is described as ākāśa (“sky/space”), functioning as a cosmological or visionary locus rather than a mapped pilgrimage site.

Implicitly, the verse foregrounds continuity with one’s forebears (pitṛ) and the moral weight of lineage in royal conduct, a recurring philosophical instruction in Purāṇic discourse on dharma and kingship.

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