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Varaha Purana 176.36 — Adhyaya 176, Shloka 36

The Māhātmya of Kṛṣṇagaṅgodbhava, Kāliñjara, and the Five Sacred Baths: The Tale of Pāñcāla and Tilottamā

एतच्छ्रुत्वा स पाञ्चाल्यो मूर्च्छितो धरणीं गतः ॥ ताः स्त्रियस्तां समाश्वास्य पाञ्चाल्यं परिवार्य च ॥

etac chrutvā sa pāñcālyo mūrcchito dharaṇīṃ gataḥ || tāḥ striyas tāṃ samāśvāsya pāñcālyaṃ parivārya ca ||

एतच्छ्रुत्वा स पाञ्चाल्यो मूर्च्छितो धरणीं गतः । ताः स्त्रियस्तां समाश्वास्य पाञ्चाल्यं परिवार्य च ॥

एतत्this (statement)
एतत्:
Karma (कर्म)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; नपुंसकलिङ्ग, द्वितीया (2nd), एकवचन; (श्रुत्वा इत्यस्य कर्म)
श्रुत्वाhaving heard
श्रुत्वा:
Kriya-viseshana (क्रियाविशेषण)
TypeVerb
Rootश्रु (धातु)
Formअव्ययकृदन्त (क्त्वा-प्रत्यय, gerund); पूर्वकालिक क्रिया
सःhe
सः:
Karta (कर्ता)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; पुंलिङ्ग, प्रथमा (1st), एकवचन
पाञ्चाल्यःthe man of Panchala (Pāñcālya)
पाञ्चाल्यः:
Karta (कर्ता)
TypeNoun
Rootपाञ्चाल्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; जनपद-निवासीवाचक
मूर्च्छितःfainted
मूर्च्छितः:
Karta (कर्ता)
TypeVerb
Rootमूर्च्छ् (धातु)
Formकृदन्त (भूतकृदन्त/क्त); पुंलिङ्ग, प्रथमा (1st), एकवचन; (अवस्थावाचक)
धरणीम्to the ground/earth
धरणीम्:
Karma (कर्म)
TypeNoun
Rootधरणी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
गतःwent / fell
गतः:
Karta (कर्ता)
TypeVerb
Rootगम् (धातु)
Formकृदन्त (भूतकृदन्त/क्त); पुंलिङ्ग, प्रथमा (1st), एकवचन; (गम्—gone)
ताःthose (women)
ताः:
Karma (कर्म)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; स्त्रीलिङ्ग, द्वितीया (2nd), बहुवचन
स्त्रियःwomen
स्त्रियः:
Karta (कर्ता)
TypeNoun
Rootस्त्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), बहुवचन
ताम्him/that (person)
ताम्:
Karma (कर्म)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; स्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
समाश्वास्यhaving consoled
समाश्वास्य:
Kriya-viseshana (क्रियाविशेषण)
TypeVerb
Rootसम्-आ-श्वस् (धातु)
Formअव्ययकृदन्त (क्त्वा-प्रत्यय, gerund); causative sense not marked; ‘having consoled’
पाञ्चाल्यम्Pāñcālya (him)
पाञ्चाल्यम्:
Karma (कर्म)
TypeNoun
Rootपाञ्चाल्य (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन
परिवार्यhaving surrounded
परिवार्य:
Kriya-viseshana (क्रियाविशेषण)
TypeVerb
Rootपरि-√वृ (धातु)
Formअव्ययकृदन्त (क्त्वा-प्रत्यय, gerund); ‘having surrounded/encircled’
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)

Pṛthivī

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"grave and narratively engaged (describing a moral shock and its social aftermath)"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ethical psychology (pāpa-bhaya and social conscience)","core_concept":"Adharma produces immediate inner collapse and public consequence; community becomes witness and first responder.","practical_application":"Treat moral transgression as requiring immediate restraint, confession, and seeking guidance rather than concealment."}

Subject Matter: ["Ethics","Geography"]

Primary Rasa: karuṇa

Secondary Rasa: bhayānaka

Type: janapada (cultural-geographic region)

Related Themes: Varāha Purāṇa 176.42–44 (turn toward prāyaścitta; prescribed expiations)

Visual Art Cues: {"scene_description":"A man of Pāñcāla collapses unconscious onto the earth while a group of women gather around, consoling and forming a protective circle.","item_prompts":["fallen man on ground","women attendants in a circle","gesture of consolation (hand on shoulder/raised palm)","dusty earth foreground","expressions of alarm and pity"],"kerala_mural_prompt":"Kerala mural style: earthy palette, stylized women with elaborate hair and ornaments, the fainted man centrally placed, strong linework and calm yet grave expressions.","tanjore_prompt":"Tanjore style: central collapsed figure with surrounding women in symmetrical arrangement, rich textiles, minimal background, selective gold-leaf highlights on jewelry and borders.","mysore_prompt":"Mysore style: delicate shading, refined faces showing karuṇa, soft background wash, detailed sari patterns, subdued drama.","pahari_prompt":"Pahari style: lyrical hillside-court aesthetic, simplified ground plane, expressive eyes, clustered female figures conveying compassion and concern."}

Audio Atmosphere: {"recitation_mood":"somber narrative compassion","suggested_raga":"Bhairavi","pace":"medium-slow","voice_tone":"soft, grave, descriptive"}

C
Classical Literature
V
Vaishnavism
N
Narrative Literature
A
Ancient Ethnonyms

FAQs

It uses the ethnonym 'Pāñcālya' to situate characters within cultural geography, while dramatizing moral disclosure through bodily reaction (fainting).

Pāñcāla is indicated as a regional identity (North Indian mahājanapada region in historical scholarship), but the immediate scene’s tīrtha remains unnamed here.

The verse underscores the gravity of confessed harm and the role of community presence in stabilizing those affected.

Ask anything about this verse

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