HomeVaraha PuranaAdhyaya 16Shloka 21
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Varaha Purana 16.21: Adhyaya 16, Shloka 21

The Account of Saramā: Indra’s Restoration after Loss of Sovereignty

तैर्मुक्ता सा सुरांस्तूर्णं जगाम खलु वेपती । नमश्चक्रे च देवेन्द्रं सरमा सुरसत्तमम् ॥ १६.२१ ॥

Sanskrit recitationVaraha Purana 16.21

tairmuktā sā surāṁs tūṛṇaṁ jagāma khalu vepatī | namaścakre ca devendraṁ saramā surasattamam || 16.21 ||

तैर्मुक्ता सा वेपती तूर्णं सुरान् जगाम। सरमा च देवेन्द्रं सुरसत्तमं नमश्चक्रे॥

तैःby them
तैः:
करण (Agent-instrument in passive)
TypeNoun
Rootतद् (प्रातिपदिक)
Formसर्वनाम; Masculine/Neuter, Instrumental (3rd/तृतीया), Plural
मुक्ताreleased
मुक्ता:
कर्मणि-कर्तृभाव (Predicate participle of ‘सा’)
TypeVerb
Rootमुच् (धातु)
Formक्त (Past passive participle); Feminine, Nominative, Singular; ‘released’
साshe
सा:
कर्ता (Kartā/Subject)
TypeNoun
Rootतद् (प्रातिपदिक)
Formसर्वनाम; Feminine, Nominative, Singular
सुरान्the gods
सुरान्:
कर्म (Karma/Object)
TypeNoun
Rootसुर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया बहुवचन
तूर्णम्quickly
तूर्णम्:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootतूर्णम् (अव्यय)
Formक्रियाविशेषण (adverb: quickly)
जगामwent
जगाम:
क्रिया (Action)
TypeVerb
Rootगम् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपद
खलुindeed
खलु:
सम्बन्ध (Discourse particle)
TypeIndeclinable
Rootखलु (अव्यय)
Formनिश्चयार्थक/स्मरणार्थक अव्यय (particle: indeed, surely)
वेपतीtrembling
वेपती:
कर्ता-विशेषण (Qualifier of subject)
TypeVerb
Rootवेप् (धातु)
Formशतृ (Present active participle); Feminine, Nominative, Singular; ‘trembling’
नमःobeisance
नमः:
कर्म (Object within idiom ‘नमः कृ’)
TypeIndeclinable
Rootनमस् (प्रातिपदिक)
Formअव्यय (indeclinable interjection used with √कृ): ‘obeisance’
चक्रेmade/did (paid)
चक्रे:
क्रिया (Action)
TypeVerb
Rootकृ (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; आत्मनेपद; idiom: नमः चक्रे = ‘paid obeisance’
and
:
समुच्चय (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
देवेन्द्रम्Devendra (Indra)
देवेन्द्रम्:
कर्म (Karma/Object)
TypeNoun
Rootदेवेन्द्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया एकवचन; तत्पुरुष: ‘lord of the gods’
सरमाSaramā
सरमा:
कर्ता (Kartā/Subject)
TypeNoun
Rootसरमा (प्रातिपदिक)
FormFeminine, Nominative, Singular
सुरसत्तमम्best of the gods
सुरसत्तमम्:
कर्म-विशेषण (Qualifier of object)
TypeAdjective
Rootसुर + सत्तम (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया एकवचन; षष्ठी-तत्पुरुष: ‘best among the gods’; qualifies ‘देवेन्द्रम्’

Varāha (default narrative voice; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"rajaniti","instruction_summary":"An envoy/witness should promptly report threats and wrongdoing to the rightful sovereign; proper obeisance affirms legitimate authority.","karmic_consequence":"Timely reporting enables protection and restoration of order; failure to report enables adharma and increases collective harm."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dharma of messengerhood","core_concept":"Even when afraid, one must fulfill svadharma—carry truth to the protector of order.","practical_application":"In crises, act with urgency and integrity; approach legitimate authority with humility and clarity."}

Subject Matter: ["Mythic Narrative","Divine Kingship","Courtly Etiquette (obeisance)","Inter-realm Diplomacy (Deva–Asura context)"]

Primary Rasa: bhayānaka

Secondary Rasa: vīra

Type: celestial court

Related Themes: 16.16.20 (warning); 16.16.22-23 (Indra appoints Maruts; covert protection)

Visual Art Cues: {"scene_description":"Saramā, still trembling, rushes to the assembly of gods and bows to Indra—an urgent audience scene blending fear and duty.","item_prompts":["Saramā in motion (running posture)","Indra seated on a throne","devas as attendants","gesture of namaskāra","aura of celestial court (pillars, clouds, banners)"],"kerala_mural_prompt":"Kerala mural: Indra enthroned with halo; devas in tiers; Saramā small at the base in prostration; strong outlines and rhythmic composition.","tanjore_prompt":"Tanjore: Indra central with gold-leaf throne and ornaments; Saramā at lower register bowing; rich textiles; symmetrical court arrangement.","mysore_prompt":"Mysore: delicate court architecture; nuanced expressions—Saramā anxious, Indra attentive; soft luminous palette.","pahari_prompt":"Pahari: airy celestial pavilion; narrative clarity with gentle colors; Saramā’s trembling conveyed by posture; devas observing."}

Audio Atmosphere: {"recitation_mood":"urgent-reporting","suggested_raga":"Ānandabhairavī","pace":"medium-fast","voice_tone":"quick, slightly breathless on movement; reverent on ‘namas’."}

C
Classical Literature
P
Purāṇic Narrative
V
Vaishnavism
I
Indra (Vedic-Purāṇic figure)

FAQs

It illustrates a standard Purāṇic narrative motif: a named figure approaches the devas and performs formal obeisance to Indra, reflecting courtly protocol and the literary portrayal of divine authority in early Sanskrit mythic historiography.

No specific geographic toponym is stated in this verse; it references movement to “the gods” (surān), implying a divine realm rather than a historically mappable location.

The verse foregrounds respectful address and acknowledgment of authority (namaścakre), presenting deference and proper conduct in an audience setting as a cultural-ethical norm within the narrative.

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