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Varaha Purana 144.39: Adhyaya 144, Shloka 39

The Māhātmya of Someśvara and Related Liṅgas: The Liberation-Field of Triveṇī and the Śālagrāma Sacred Landscape

गण्डक्यपि पुरा दृष्ट्वा शंखचक्रगदाधरम् ॥ दण्डवत्प्रणता भूत्वा ततः स्तोतुं प्रचक्रमे ॥

Sanskrit recitationVaraha Purana 144.39

gaṇḍaky api purā dṛṣṭvā śaṅkhacakragadādharam || daṇḍavatpraṇatā bhūtvā tataḥ stotuṁ pracakrame ||

तदा गण्डकी पुरा शंखचक्रगदाधरं दृष्ट्वा दण्डवत् प्रणता भूत्वा, ततः स्तोतुं प्रचक्रमे॥

गण्डक्याby Gaṇḍakī
गण्डक्या:
Karana (करणम्)
TypeNoun
Rootगण्डकी (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd), एकवचन
अपिalso
अपि:
Sambandha (सम्बन्धः)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय (particle: also/even)
पुराformerly
पुरा:
Kala-adhikarana (कालाधिकरणम्)
TypeIndeclinable
Rootपुरा (अव्यय)
Formअव्यय (adverb of time: formerly)
दृष्ट्वाhaving seen
दृष्ट्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeIndeclinable
Root√दृश् (धातु) (कृदन्त)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः
शङ्ख-चक्र-गदा-धरम्the bearer of conch, discus, and mace (Viṣṇu)
शङ्ख-चक्र-गदा-धरम्:
Karma (कर्म)
TypeNoun
Rootशङ्ख (प्रातिपदिक) + चक्र (प्रातिपदिक) + गदा (प्रातिपदिक) + धर (कृदन्त/प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), एकवचन; बहुपद-तत्पुरुष (शङ्खं चक्रं गदां च धरति इति)
दण्डवत्prostrate (like a staff)
दण्डवत्:
Prakara (प्रकारः)
TypeIndeclinable
Rootदण्डवत् (अव्यय/उपमान)
Formअव्यय (adverb: like a staff; prostrate)
प्रणताbowed down
प्रणता:
Karta (कर्ता)
TypeAdjective
Rootप्रणत (कृदन्त/प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; भूतकृत् (क्त) ‘bowed down’
भूत्वाhaving become
भूत्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeIndeclinable
Root√भू (धातु) (कृदन्त)
Formक्त्वान्त (absolutive/gerund), अव्ययभावः
ततःthen
ततः:
Kala-adhikarana (कालाधिकरणम्)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (adverb: then/thereafter)
स्तोतुम्to praise
स्तोतुम्:
Prayojana (प्रयोजनम्)
TypeVerb
Root√स्तु (धातु) (कृदन्त)
Formतुमुन्-प्रत्ययान्त (infinitive), अव्ययभावः; प्रयोजन (purpose)
प्रचक्रमेbegan/undertook
प्रचक्रमे:
Kriya (क्रिया)
TypeVerb
Rootप्र√क्रम् (धातु)
Formलिट् (Perfect), प्रथमपुरुष (3rd), एकवचन; आत्मनेपद

Narrative voice (default: Varāha framework)

Varaha Avatara Context: {"is_varaha_focus":true}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"The verse models proper Vaiṣṇava upacāra: upon darśana of the Lord’s iconographic form, one performs daṇḍavat-praṇāma and offers stuti.","karmic_consequence":"Such reverential gesture and praise lead to divine pleasure and spiritual merit; omission implies loss of the immediate fruit of darśana (implied)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"ritual-bhakti","core_concept":"Embodied surrender (śaraṇāgati) is expressed through the body (daṇḍavat) and speech (stotra), integrating karma (gesture) and bhakti (love).","practical_application":"In worship or pilgrimage, begin with full prostration and verbal praise; let iconographic contemplation (āyudha-dhyāna) stabilize the mind."}

Subject Matter: ["Ethics","Devotional Culture","Iconography"]

Primary Rasa: bhakti

Secondary Rasa: adbhuta

Related Themes: Varāha Purāṇa 144.44 (stuti content begins)

Visual Art Cues: {"scene_description":"Gaṇḍakī beholds the Lord holding conch, discus, and mace; she lies fully prostrate (daṇḍavat) before him, beginning a hymn.","item_prompts":["Lord with śaṅkha (conch)","cakra (discus)","gadā (mace)","devotee in full prostration","radiant aura","ground-level perspective emphasizing humility"],"kerala_mural_prompt":"Kerala mural: iconic Vaiṣṇava figure with clear āyudhas; devotee elongated in daṇḍavat; bold outlines; saturated colors; devotional symmetry.","tanjore_prompt":"Tanjore: ornate āyudhas with gold highlights; embossed halo; devotee prostrate at the base; rich decorative borders.","mysore_prompt":"Mysore: refined depiction of āyudhas; soft facial serenity; devotee’s posture anatomically graceful; subdued background.","pahari_prompt":"Pahari: delicate, narrative scene; Lord slightly elevated; devotee prostrate on green ground; gentle hills/trees framing the encounter."}

Audio Atmosphere: {"recitation_mood":"devotional and reverent","suggested_raga":"Bhoopali","pace":"medium-slow","voice_tone":"humble, resonant"}

C
Classical Literature
V
Vaishnavism
I
Iconography
R
Ritual Gesture Studies

FAQs

It documents standardized Vaiṣṇava iconographic identifiers and a classical bodily ritual (full prostration), useful for connecting text, art history, and practice.

No explicit toponym appears; the verse is part of the Revā-khaṇḍa narrative cycle associated with riverine sacred geography.

Respectful approach—expressed through humility and praise—is framed as the proper ethical posture in a dialogue with a higher moral authority.

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