एवं स्थूलं प्राणिमध्यं च शूक्ष्मं भावेभावे भावितं त्वां गृणंति । सर्वत्रस्थं त्वामतः प्राहुर्वेदास्तस्मै तुभ्यं पदम्ज इद्विधेम
evaṃ sthūlaṃ prāṇimadhyaṃ ca śūkṣmaṃ bhāvebhāve bhāvitaṃ tvāṃ gṛṇaṃti | sarvatrasthaṃ tvāmataḥ prāhurvedāstasmai tubhyaṃ padamja idvidhema
एवं स्थूलं प्राणिमध्यस्थं च सूक्ष्मं भावे भावे भावितं त्वां गृणन्ति। सर्वत्रस्थितं त्वामतः प्राहुर्वेदाः; तस्मै तुभ्यं पद्मासनजाय इदं स्तवनकर्म विधेम॥
Devas (closing the theological praise; includes the epithet padamja)
Scene: A contemplative stotra-scene: sages/devas hymn the all-pervading principle, visualized simultaneously as cosmic form (sthūla), as a radiant presence within hearts (antaryāmin), and as a subtle light pervading space (sūkṣma); the epithet padmaja evokes Brahmā seated on a lotus, hands folded in reverence.
The Divine is to be contemplated as gross, subtle, and the indweller—present in every state and everywhere.
None is specified; the focus is philosophical praise rather than a tīrtha-māhātmya.
Hymning and contemplative meditation (gṛṇanti, bhāvitam) are implied as devotional practice.