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Shloka 29

Vows of Hari and the Hundred Names of Suputra (Viṣṇu/Kṛṣṇa): Ritual Metadata and Fruits of Japa

पुंडरीकस्य यज्ञस्य फलमाप्नोति मानवः । तुलसीसंनिधौ स्थित्वा मनसा यो जपेन्नरः

puṃḍarīkasya yajñasya phalamāpnoti mānavaḥ | tulasīsaṃnidhau sthitvā manasā yo japennaraḥ

तुलसीसन्निधौ स्थित्वा मनसा यो जपेन्नरः। पुंडरीकयज्ञफलमाप्नोति मानवः॥

पुण्डरीकस्यof Puṇḍarīka
पुण्डरीकस्य:
Sambandha (Possessor/षष्ठी-सम्बन्ध)
TypeNoun
Rootपुण्डरीक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन
यज्ञस्यof the sacrifice
यज्ञस्य:
Sambandha (Possessor/षष्ठी-सम्बन्ध)
TypeNoun
Rootयज्ञ (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति, एकवचन
फलम्fruit/result
फलम्:
Karma (Object/कर्म)
TypeNoun
Rootफल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
आप्नोतिobtains
आप्नोति:
Kriyā (Predicate/क्रिया)
TypeVerb
Rootआप् (धातु)
Formलट् (Present), प्रथमपुरुष (3rd person), एकवचन, परस्मैपद
मानवःa human
मानवः:
Karta (Subject/कर्ता)
TypeNoun
Rootमानव (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
तुलसीसंनिधौin the presence of Tulasī
तुलसीसंनिधौ:
Adhikaraṇa (Locus/अधिकरण)
TypeNoun
Rootतुलसी (प्रातिपदिक) + संनिधि (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (7th/Locative), एकवचन; षष्ठी-तत्पुरुषः (तुलस्याः संनिधौ = in the presence of Tulasī)
स्थित्वाhaving stood
स्थित्वा:
Pūrvakāla-kriyā (Prior action/पूर्वकालक्रिया)
TypeIndeclinable
Rootस्था (धातु)
Formक्त्वान्त (Absolutive/Gerund), अव्ययभाव
मनसाwith the mind
मनसा:
Karaṇa (Instrument/करण)
TypeNoun
Rootमनस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), एकवचन
यःwho
यः:
Karta (Subject/कर्ता)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; सम्बन्धक (relative pronoun)
जपेत्should recite
जपेत्:
Kriyā (Predicate/क्रिया)
TypeVerb
Rootजप् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन, परस्मैपद
नरःa man
नरः:
Karta (Subject/कर्ता)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; (यः ... नरः)

Unspecified (narrative voice within the Bhūmi-khaṇḍa passage; commonly framed within the Pulastya–Bhīṣma dialogue in this khanda)

Concept: Mental japa performed in Tulasi’s presence grants the fruit of Puṇḍarīka-yajña—asserting Tulasi as a bhakti-amplifier and a bridge between inner devotion and Vedic-scale merit.

Application: Keep a Tulasi plant (or visit a Tulasi shrine), offer water, then sit nearby for silent japa; even brief, sincere mental repetition becomes powerful when paired with reverence and purity of intent.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: temple

Visual Art Cues: {"scene_description":"In a quiet courtyard, a Tulasi plant stands in a painted vṛndāvana pedestal, its leaves catching a soft breeze. A devotee stands respectfully nearby, eyes lowered, performing silent mental japa; above the Tulasi, a subtle vision of Viṣṇu’s chest adorned with Tulasi leaves appears like a blessing, while a distant sacrificial fire is shown only as a faint symbolic echo.","primary_figures":["Tulasi-devī (as the plant and/or gentle goddess aura)","a devotee performing mānasa-japa","Viṣṇu (subtle vision/blessing)"],"setting":"Household courtyard or temple Tulasi shrine with rangoli, water pot, small bell, and a lamp; faint symbolic yajña-vedi in the background as a translucent motif.","lighting_mood":"golden dawn","color_palette":["leaf green","holy basil purple","warm terracotta","soft gold","sky turquoise"],"tanjore_prompt":"Tanjore painting style: central Tulasi vṛndāvana with ornate gold leaf borders; devotee in reverent stance with closed eyes, hands in japa-mudrā; above, Viṣṇu’s radiant bust with Tulasi garland and gold halo; embossed details on pedestal, rich reds/greens, gem-like highlights, conch-disc motifs framing the scene.","pahari_prompt":"Pahari miniature style: serene courtyard with delicate foliage rendering; Tulasi leaves finely detailed, devotee quietly chanting mentally; a translucent vision of Viṣṇu appears in the sky like a watercolor wash; cool, lyrical palette, refined facial features, gentle breeze suggested by drifting petals.","kerala_mural_prompt":"Kerala mural style: iconic Tulasi shrine with bold outlines; Tulasi-devī suggested as a goddess form emerging from the plant, devotee in simplified pose; Viṣṇu’s presence as a stylized aura; red/yellow/green pigments with deep blue accents, temple-wall symmetry and decorative bands.","pichwai_prompt":"Pichwai cloth painting style: Tulasi vṛndāvana centered within ornate floral borders; lotus motifs, peacocks perched near the shrine, Sanskrit name-garlands as decorative bands; deep blue-gold background with vibrant greens, devotional symmetry emphasizing sanctity of the plant."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["rustling leaves","soft bell chime","distant conch","morning birds"]}

Sandhi Resolution Notes: फलमाप्नोति → फलम् आप्नोति; जपेन्नरः → जपेत् नरः।

P
Puṇḍarīka
T
Tulasī

FAQs

It presents Tulasī’s presence as spiritually potent: even silent, mental japa performed near Tulasī is said to yield exceptionally great religious merit.

By equating simple mental japa (a personal devotional act) with the “fruit” of a major sacrifice, it elevates inner devotion and remembrance as highly efficacious.

It encourages accessible, sincere practice: even without resources for large rituals, one can cultivate merit through mindful recitation and reverence (especially in a sanctifying environment like Tulasī’s vicinity).