कांचनाकारभूतांगं सप्राप्ता कांचनप्रभा । सूर्यतेजोनिहंतारं मंदरं तेजसा स्वयम् ॥ १६ ॥
kāṃcanākārabhūtāṃgaṃ saprāptā kāṃcanaprabhā | sūryatejonihaṃtāraṃ maṃdaraṃ tejasā svayam || 16 ||
काञ्चनाकारभूताङ्गा काञ्चनप्रभया युता। सा मन्दरं समासाद्य, सूर्यतेजोनिहन्तारं स्वतेजसा ददर्श ॥
Suta (narrating the Purana to the sages; Uttara-Bhaga narrative voice)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
It uses the imagery of “golden form” and overpowering “tejas” to signal extraordinary sanctity—where a sacred presence (or personified radiance) is drawn to a spiritually potent locus like Mandara, indicating a place/person whose purity outshines ordinary worldly brilliance.
By portraying irresistible attraction toward a supremely radiant, sanctified presence, the verse mirrors bhakti’s inner movement—where the devotee is naturally drawn toward the divine/sacred, and worldly “sun-like” glare (ego, distraction) is subdued by higher spiritual splendor.
The verse chiefly highlights Purāṇic sacred-geography and the symbolism of tejas rather than a specific Vedanga; indirectly, it aligns with Jyotiṣa-style language of solar brilliance (sūrya-tejas) used to convey gradations of power and auspiciousness.