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Shloka 25

Mohinī-Saṃmohana

The Enchantment of Mohinī

सा त्वेवमुक्ता शशिगौरवक्त्रा रुक्मांगदेनात्मविनाशनाय । संप्रस्थिता नूपुरघोषयुक्ता विकर्षयन्ती गिरिजातशोभाम् ॥ २५ ॥

sā tvevamuktā śaśigauravaktrā rukmāṃgadenātmavināśanāya | saṃprasthitā nūpuraghoṣayuktā vikarṣayantī girijātaśobhām || 25 ||

सा त्वेवमुक्ता शशिगौरवक्त्रा रुक्मांगदेनात्मविनाशनाय । संप्रस्थिता नूपुरघोषयुक्ता विकर्षयन्ती गिरिजातशोभाम् ॥

साshe
सा:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular)
तुbut; indeed
तु:
सम्बन्धसूचक (Discourse particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय (indeclinable), अवधान/विरोधार्थक-निपात (particle: 'but/indeed')
एवम्thus
एवम्:
क्रियाविशेषण (Adverbial)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय (indeclinable), प्रकारवाचक (manner adverb): 'thus'
उक्ताhaving been addressed
उक्ता:
कर्ता-विशेषण (Subject qualifier)
TypeAdjective
Rootवच् (धातु) + क्त (क्त-प्रत्यय)
Formक्त-प्रत्ययान्त (Past Passive Participle), स्त्रीलिङ्ग (Feminine), प्रथमा (Nom.), एकवचन (Sing.); 'having been spoken to/ addressed'
शशिगौरवक्त्राmoon-fair-faced
शशिगौरवक्त्रा:
कर्ता-विशेषण (Subject qualifier)
TypeAdjective
Rootशशि-गौर-वक्त्र (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा-विभक्ति (Nominative/1st), एकवचन (Singular); कर्मधारय: 'शशिवत् गौरं वक्त्रं यस्याः' (moon-like fair-faced)
रुक्माङ्गदेनby (him) with golden armlets
रुक्माङ्गदेन:
करण/कर्ता-सहायक (Instrument/Agent-associated)
TypeNoun
Rootरुक्म-अङ्गद (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), तृतीया-विभक्ति (Instrumental/3rd), एकवचन (Singular); कर्मधारय: 'रुक्ममयम् अङ्गदम्' (golden armlet); here: 'by the wearer of golden armlet' (epithet of the king)
आत्मविनाशनायfor (her) self-destruction
आत्मविनाशनाय:
सम्प्रदान (Purpose dative)
TypeNoun
Rootआत्म-विनाशन (प्रातिपदिक)
Formपुंलिङ्ग (Masculine) / नपुंसकलिङ्ग (Neuter) as abstract, चतुर्थी-विभक्ति (Dative/4th), एकवचन (Singular); तत्पुरुष: 'आत्मनः विनाशनम्' (destruction of self); प्रयोजन-दत्तिव (purpose dative)
संप्रस्थिताhaving set out
संप्रस्थिता:
क्रिया-सम्बद्ध-विशेषण (Predicative participle of subject)
TypeAdjective
Rootसम्-प्र-स्था (धातु) + क्त (क्त-प्रत्यय)
Formक्त-प्रत्ययान्त (Past participle), स्त्रीलिङ्ग (Feminine), प्रथमा (Nom.), एकवचन (Sing.); 'set out, departed'
नूपुरघोषयुक्ताaccompanied by the sound of anklets
नूपुरघोषयुक्ता:
कर्ता-विशेषण (Subject qualifier)
TypeAdjective
Rootनूपुर-घोष-युक्त (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा (Nom.), एकवचन (Sing.); तत्पुरुष: 'नूपुरस्य घोषः' + 'युक्ता' (endowed with anklet-sound)
विकर्षयन्तीdragging; drawing along
विकर्षयन्ती:
कर्ता (Agent participle; action by subject)
TypeVerb
Rootवि-कृष् (धातु) + शतृ (शतृ-प्रत्यय)
Formशतृ-प्रत्ययान्त वर्तमान-कृदन्त (Present active participle), स्त्रीलिङ्ग (Feminine), प्रथमा (Nom.), एकवचन (Sing.); 'dragging/drawing'
गिरिजातशोभाम्mountain-born beauty; Girijā-like beauty
गिरिजातशोभाम्:
कर्म (Karma/Object) of विकर्षयन्ती
TypeNoun
Rootगिरि-जात-शोभा (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Sing.); तत्पुरुष: 'गिरौ जाता शोभा' (beauty born on the mountain) / 'गिरिजायाः शोभा' (beauty of Girijā) as poetic epithet

Suta (narrating the episode; verse is narrative description rather than direct speech)

Vrata: none

Rasa: {"primary_rasa":"karuna","secondary_rasa":"shringara","emotional_journey":"Ornamental beauty and motion are undercut by foreboding—she departs with a tragic, self-destructive intent."}

R
Rukmangada
G
Girija (Parvati)

FAQs

The verse highlights how a mind driven toward self-ruin (ātma-vināśa) can propel a person into harmful action, even while outward beauty and grace remain—serving as a moral warning within a tirtha-mahātmya narrative.

Indirectly, it contrasts self-destructive resolve with the Purāṇic ideal of turning the will toward dharma and devotion; in the Uttara-bhāga’s sacred-place narratives, right orientation of intention is what converts suffering into merit and God-centered living.

No specific Vedāṅga technique is taught in this verse; it is primarily kāvya-style narration. The key practical takeaway is ethical discernment (dharma-buddhi) regarding intention and action rather than ritual or grammatical instruction.