Shloka 36
तस्याऽपि कर्णे ध्वनिराविवेश विमोहिनीवक्त्रसमुद्भवो यः । विमोहितो येन विमुच्य वाहं त्रिविक्रमेणेव विलंघ्यमानम् ॥ ३६ ॥
tasyā'pi karṇe dhvanirāviveśa vimohinīvaktrasamudbhavo yaḥ | vimohito yena vimucya vāhaṃ trivikrameṇeva vilaṃghyamānam || 36 ||
तस्यापि कर्णे स ध्वनिराविवेश विमोहिनीवक्त्रसमुद्भवो यः। येन विमोहितो वाहं विमुच्य त्रिविक्रमेणेव विलङ्घ्यमानम्॥
Suta (narrating the Purana account)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
FAQs
It highlights how māyā (bewildering power), symbolized by Vimohinī’s voice, can instantly unsettle even a capable being—yet Vishnu’s Trivikrama is invoked as the true, unsurpassable measure of power and reality beyond delusion.
By contrasting enchantment (vimohana) with Trivikrama’s transcendence, the verse implicitly directs the mind away from sensory fascination and toward Vishnu as the stable refuge—an essential bhakti move: replacing attraction to māyā with remembrance of Hari.
No explicit Vedāṅga (like Vyākaraṇa, Jyotiṣa, or Kalpa) instruction appears; the practical takeaway is ethical-dharma oriented: guard the senses (especially hearing) from misleading influences and anchor discernment in Vishnu-centered remembrance.