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Shloka 10

अविद्या-पञ्चक, नवसर्ग-क्रमः, प्रजापति-प्रसवः

Vibhaga 1, Adhyaya 5

मरीचिभृग्वङ्गिरसः पुलस्त्यं पुलहं क्रतुम् दक्षमत्रिं वसिष्ठं च सो ऽसृजद्योगविद्यया

marīcibhṛgvaṅgirasaḥ pulastyaṃ pulahaṃ kratum dakṣamatriṃ vasiṣṭhaṃ ca so 'sṛjadyogavidyayā

मरीचिं भृगुमङ्गिरसं पुलस्त्यं पुलहं क्रतुम् । दक्षमत्रिं वसिष्ठं च सोऽसृजद्योगविद्यया ॥

मरीचि (marīci)the sage Marici
मरीचि (marīci):
भृगु (bhṛgu)the sage Bhṛgu
भृगु (bhṛgu):
अङ्गिरसः (aṅgirasaḥ)the sage Aṅgiras (and the Aṅgirasa lineage)
अङ्गिरसः (aṅgirasaḥ):
पुलस्त्यम् (pulastyam)the sage Pulastya
पुलस्त्यम् (pulastyam):
पुलहम् (pulaham)the sage Pulaha
पुलहम् (pulaham):
क्रतुम् (kratum)the sage Kratu
क्रतुम् (kratum):
दक्षम् (dakṣam)Dakṣa (prajāpati)
दक्षम् (dakṣam):
अत्रिम् (atrim)the sage Atri
अत्रिम् (atrim):
वसिष्ठम् (vasiṣṭham)the sage Vasiṣṭha
वसिष्ठम् (vasiṣṭham):
च (ca)and
च (ca):
सः (saḥ)he (the creator, Brahmā)
सः (saḥ):
असृजत् (asṛjat)created / emanated
असृजत् (asṛjat):
योगविद्यया (yogavidyayā)by yogic knowledge, by the science of yoga (inner power of contemplation)
योगविद्यया (yogavidyayā):

Suta Goswami (narrating the creation account, with Brahma as the acting agent within the narrative)

B
Brahma
M
Marici
B
Bhṛgu
A
Aṅgiras
P
Pulastya
P
Pulaha
K
Kratu
D
Dakṣa
A
Atri
V
Vasiṣṭha

FAQs

It establishes that the rishi-lineages—who later transmit mantra, ritual, and dharma—arise through yogic potency; in Shaiva framing, their capacity ultimately serves Pati (Shiva), supporting Linga-centered worship and tradition.

Though Brahmā is the immediate creator here, the verse highlights yogavidyā as the operative power; in Shaiva Siddhanta, such power is subordinate to Pati, indicating Shiva-tattva as the supreme ground enabling ordered manifestation through empowered agents.

Yogavidyā—contemplative, inner mastery (a Pāśupata-aligned emphasis on disciplined yogic power)—is presented as the means by which creative emanation becomes effective, implying that right yoga supports right ritual and lineage transmission.