प्रलय-तत्त्वलयः, नीललोहित-रुद्रः, अष्टमूर्तिस्तवः, एवं ब्रह्मणो वैराग्यम्
वह्नेश्चैव तु संयोगात् प्रकृत्य पुरुषः प्रभुः नीलश् च लोहितश्चैव यतः कालाकृतिः पुमान्
vahneścaiva tu saṃyogāt prakṛtya puruṣaḥ prabhuḥ nīlaś ca lohitaścaiva yataḥ kālākṛtiḥ pumān
वह्निसंयोगात् प्रकृत्या सह प्रभुः पुरुषः प्रादुर्भवति। तस्मादेव नीलं लोहितं च रूपं, तथा कालाकृतिः पुमान् प्रसूयते॥
Suta Goswami (narrating the Linga Purana discourse to the sages of Naimisharanya)
It frames creation as arising from the Lord’s union with Prakṛti, with Agni as a catalytic principle—supporting Linga worship as adoration of the Pati who manifests the cosmos yet remains its sovereign source.
Shiva-tattva is indicated as the Prabhu Puruṣa: the conscious Lord who, through association with Prakṛti, projects differentiated powers (blue/red aspects) and even Kāla (Time), showing Him as Pati who governs both manifestation and temporality.
Implicitly, it points to Agni-linked Shaiva sādhanā (homa/inner fire) and Pāśupata-oriented contemplation: recognize Kāla as Shiva’s manifestation, then seek liberation of the paśu by turning awareness from time-bound change to the timeless Pati.