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Agni Purana — Raja-dharma, Shloka 9

Chapter 233 — Ṣāḍguṇya (The Six Measures of Royal Policy) and Foreign Daṇḍa

स्थूलस्य तस्य पुच्छस्थां कृत्वोल्कां विपुलां द्विज विसृजेच्च ततश् चैवमुल्कापातं प्रदर्शयेत्

sthūlasya tasya pucchasthāṃ kṛtvolkāṃ vipulāṃ dvija visṛjecca tataś caivamulkāpātaṃ pradarśayet

हे द्विज, तस्य स्थूलस्य पुच्छस्थां विपुलामुल्कां कृत्वा ततः विसृजेत्; एवम् ‘उल्कापात’ इति दृश्यं प्रदर्शयेत्।

sthūlasyaof the large (one)
sthūlasya:
Sambandha (सम्बन्ध)
TypeAdjective
Rootsthūla (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी, एकवचन; विशेषण
tasyaof that
tasya:
Sambandha (सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; षष्ठी, एकवचन
pucchaof the tail
puccha:
Sambandha (सम्बन्ध)
TypeNoun
Rootpuccha (प्रातिपदिक)
Formनपुंसकलिङ्ग, षष्ठी, एकवचन (समासपूर्वपद)
sthāmsituated/placed
sthām:
Karma (कर्म/object complement)
TypeAdjective
Rootsthā (धातु)
Formकृदन्त-विशेषण ('स्थ' = situated), स्त्रीलिङ्ग, द्वितीया, एकवचन; 'placed in' (puccha-sthāṃ)
kṛtvāhaving made
kṛtvā:
Purvakala (पूर्वकाल/preceding action)
TypeIndeclinable
Rootkṛ (धातु)
Formक्त्वा-प्रत्ययान्त अव्यय (Gerund/absolutive)
ulkāma firebrand/meteor-like torch
ulkām:
Karma (कर्म)
TypeNoun
Rootulkā (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन
vipulāmlarge
vipulām:
Karma (कर्म/qualifier)
TypeAdjective
Rootvipula (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया, एकवचन; विशेषण
dvijaO twice-born (brahmin)
dvija:
Sambodhana (सम्बोधन/address)
TypeNoun
Rootdvija (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन (8th/Vocative), एकवचन
visṛjetshould release/let go
visṛjet:
Kriya (क्रिया)
TypeVerb
Rootvi-sṛj (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपद
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय
tataḥthen/from that
tataḥ:
Apadana (अपादान/source)
TypeIndeclinable
Roottataḥ (अव्यय)
Formअपादान/क्रमवाचक-अव्यय (from there/then)
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय
evamthus
evam:
Sambandha (सम्बन्ध/manner)
TypeIndeclinable
Rootevam (अव्यय)
Formप्रकारवाचक-अव्यय (manner adverb)
ulkāof the firebrand
ulkā:
Sambandha (सम्बन्ध)
TypeNoun
Rootulkā (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी (Genitive), एकवचन (समासपूर्वपद)
pātamfall/descent
pātam:
Karma (कर्म)
TypeNoun
Rootpāta (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, द्वितीया, एकवचन
pradarśayetshould display/show
pradarśayet:
Kriya (क्रिया)
TypeVerb
Rootpra-dṛś (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष, एकवचन; परस्मैपद

Lord Agni (narrating an applied technique section to a brahmin interlocutor, within the Agni Purana’s instructional voice)

Vidya Category: {"primary_vidya":"Dhanurveda","secondary_vidya":"Arthashastra","practical_application":"Demonstration/creation of a fiery projectile effect (ulkā-pāta) for intimidation, signaling, or staged omen-like spectacle in warfare.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Ulkā-pāta-pradarśana: Tail-fastened Firebrand Projectile","lookup_keywords":["ulkā","ulkā-pāta","pucche","yantra","pradarśana"],"quick_summary":"Attach a large burning brand to the tail-end of a thick projectile/device and release it to produce a meteor-like fiery fall, useful for terror, signaling, or deception."}

Weapon Type: Projectile (yantra-launched or thrown device) with firebrand (ulkā)

Concept: Technical ingenuity (yantra + agni) can substitute for brute force by shaping perception and morale.

Application: Use controlled demonstrations to influence enemy psychology; integrate engineering with tactical timing.

Khanda Section: Dhanurveda / Yantra-astravidya (Weapon-technique and projectile demonstrations)

Primary Rasa: adbhuta

Secondary Rasa: bhayanaka

Visual Art Cues: {"scene_description":"A technician-warrior fastens a blazing firebrand to the tail of a thick projectile; at release it streaks across the night sky like a falling meteor, startling onlookers.","kerala_mural_prompt":"Kerala mural style night battlefield demonstration, bright stylized flame trail, figures in profile with bold outlines, torches and drums, the projectile arcing like a comet","tanjore_prompt":"Tanjore painting with gold leaf flames and ornate borders, central fiery projectile with long tail, attendants and warriors watching in awe, rich reds and deep blues","mysore_prompt":"Mysore painting technical scene: close depiction of fastening the ulkā at the tail, then a second vignette showing the arc and impact; clean lines, didactic clarity","mughal_miniature_prompt":"Mughal miniature night scene with realistic fire glow, engineers preparing an incendiary device, the comet-like projectile crossing the sky above tents, detailed faces showing alarm"}

Audio Atmosphere: {"recitation_mood":"epic","suggested_raga":"Khamaj","pace":"fast","voice_tone":"instructional"}

Sandhi Resolution Notes: pucchasthāṃ = puccha + sthām; kṛtvolkām = kṛtvā + ulkām; visṛjecca = visṛjet + ca; caivam = ca + evam; evamulkāpātam = evam + ulkā + pātam.

Related Themes: Agni Purana Dhanurveda/yantra-astravidyā portions on incendiaries and mechanical devices; Agni Purana rājadharma passages on udvejana (creating alarm)

D
Dvija
U
Ulkā (firebrand)

FAQs

It teaches a practical weapons/technique procedure: attach a large firebrand to the tail of a heavy projectile/device and release it to produce an ‘ulkāpāta’ (meteor-like fiery descent) visual/impact effect.

Beyond theology, the Agni Purana preserves applied sciences like Dhanurveda—detailing concrete, step-by-step methods for weapon effects and demonstrations, including fire-based projectile displays.

In the Purāṇic frame, disciplined application of sanctioned knowledge (vidyā) supports righteous protection and order; the verse emphasizes controlled, methodical use of fire-power rather than reckless violence.