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Varaha Purana 172.2: Adhyaya 172, Shloka 2

The Harm of Destroying a Grove and the Merit of Tree-Planting as Pūrta-Dharma

ता देव्यॊ नृत्यगीतॆषु कुशलाश्चागमेऽभवन् ॥ सुरूपाश्च स्वलङ्काराः रमयन्ति दिने दिने ॥

Sanskrit recitationVaraha Purana 172.2

tā devyo nṛtyagīteṣu kuśalāś cāgame ’bhavan || surūpāś ca svalāṅkārā ramayanti dine dine ||

Те деви стали искусны в танце и пении и также сведущи в искусствах; прекрасные обликом и украшенные своими убранствами, они радовали (его) день за днём.

tāḥthose (women)
tāḥ:
Karta (कर्ता/Subject)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; सर्वनाम
devyaḥgoddesses/divine ladies
devyaḥ:
Karta (कर्ता/Subject; apposition)
TypeNoun
Rootdevī (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन
nṛtya-gīteṣuin dance and song (arts)
nṛtya-gīteṣu:
Adhikarana (अधिकरण/Domain)
TypeNoun
Rootnṛtya + gīta (प्रातिपदिक; द्वन्द्व-समास)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), बहुवचन; ‘in dances and songs’
kuśalāḥskilled
kuśalāḥ:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootkuśala (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (qualifying devyaḥ)
caand
ca:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
āgameat the time of arrival
āgame:
Adhikarana (अधिकरण/Time)
TypeNoun
Rootāgama (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन; ‘at the coming/arrival (time)’
abhavanbecame/were
abhavan:
Kriya (क्रिया/Verbal action)
TypeVerb
Rootbhū (धातु)
Formलङ् (Imperfect), परस्मैपद, प्रथमपुरुष (3rd), बहुवचन
surūpāḥbeautiful
surūpāḥ:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootsu-rūpa (प्रातिपदिक; उपसर्गपूर्वक)
Formस्त्रीलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; विशेषणम् (qualifying devyaḥ)
caand
ca:
Sambandha (सम्बन्ध/Connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
sva-laṅkārāḥtheir own adornments/ornaments
sva-laṅkārāḥ:
Karta (कर्ता/Subject; with ramayanti)
TypeNoun
Rootsva + laṅkāra (प्रातिपदिक; तत्पुरुष-समास)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन; ‘their own ornaments/adornments’ (as possessed)
ramayantidelight/entertain
ramayanti:
Kriya (क्रिया/Verbal action)
TypeVerb
Rootram (धातु; णिच् causative)
Formलट् (Present), परस्मैपद, प्रथमपुरुष (3rd), बहुवचन; णिच्-प्रयोगः (causative: ‘cause to delight’)
dineby day/on a day
dine:
Adhikarana (अधिकरण/Time)
TypeNoun
Rootdina (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन; कालाधिकरण
dineday after day
dine:
Adhikarana (अधिकरण/Time)
TypeNoun
Rootdina (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन; पुनरुक्ति (repetition for distributive sense)

Varāha

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"aesthetics-and-attachment (contextual)","core_concept":"कलाकौशलं वशीकरण-हेतुः; रूपालङ्कारादि मनः-आकर्षणं जनयति","practical_application":"इन्द्रिय-विषयेषु आसक्तिं विवेकपूर्वकं नियच्छेत्; कलासु रतिः धर्मविरोधं न नयेत्"}

Subject Matter: ["Aesthetics","Courtly Arts","Narrative Literature"]

Primary Rasa: शृङ्गार

Secondary Rasa: हास्य

Type: सभा/अन्तःपुर-प्रायः (courtly setting)

Related Themes: Varaha Purana 172.3-172.6 (आसक्ति→विपरिणाम-क्रमः)

Visual Art Cues: {"scene_description":"अन्तःपुरे/सभायां देव्यो नृत्य-गीत-वाद्यैः कुशलाः, स्वलङ्कारैः शोभमानाः, नायकं दिनेदिने रमयन्ति।","item_prompts":["नर्तकी-देव्यः","वीणा/मृदङ्ग/ताल","रत्नालङ्कार","रेशमी वस्त्र","दीप-प्रदीप","सभा-स्तम्भ","पुष्प-वर्षा/गन्ध"],"kerala_mural_prompt":"Kerala mural style: ornate palace hall, devīs in graceful dance poses, bold outlines, flat luminous colors, heavy jewelry, oil-lamp glow, rhythmic hand mudrās.","tanjore_prompt":"Tanjore style: central dancing devī with rich gold-leaf ornaments, gem-inlaid borders, palace arch backdrop, warm reds and greens, embossed jewelry highlights.","mysore_prompt":"Mysore style: delicate linework, soft shading, refined textiles, subtle expressions of delight, balanced composition with musicians seated to the side.","pahari_prompt":"Pahari style: intimate court scene, pastel palette, stylized architecture, lyrical movement, emphasis on facial charm and ornament detail."}

Audio Atmosphere: {"recitation_mood":"vilāsa-śānta (courtly elegance)","suggested_raga":"Khamaj","pace":"madhyama","voice_tone":"smooth, lightly lilting, descriptive"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Poetics (contextual)
C
Cultural Heritage

FAQs

It preserves a literary snapshot of performing arts (dance, song) as culturally valued skills within Purāṇic storytelling.

No explicit location is named in this verse; it remains a general narrative setting.

The verse primarily describes cultural practice (arts and adornment) rather than issuing a direct ethical injunction.

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