दंडस्तत्राभवद्वास्तौ गृहरोधोऽक्षदेवने । एको दोषाकरश्चंद्रः प्रियदोषाश्च कौशिकाः
daṃḍastatrābhavadvāstau gṛharodho'kṣadevane | eko doṣākaraścaṃdraḥ priyadoṣāśca kauśikāḥ
Там ‘пороки’ существовали лишь как игра слов: ‘посох’ был в доме только как предмет; ‘домашний арест’ случался лишь в игре в кости; одна лишь луна была ‘творцом ночи’; а совы — ‘любителями ночи’.
Sūta (Lomaharṣaṇa/Sūta narrator)
Type: kshetra
Scene: A playful allegorical tableau: a staff resting harmlessly in a house; people playing dice as mere sport without ruin; the moon as the only ‘night-maker’; owls perched peacefully, ‘loving the night’ without omen.
In a truly dharmic realm, ‘fault’ is reduced to harmless wordplay—evil is absent and even language reflects peace.
Not a site directly; it supports the tīrtha narrative by highlighting the extraordinary righteousness of Hariścandra connected to the region.
None; the verse uses poetic devices to depict social order.