किंतु पूर्वं तपस्तप्त्वा रेवया बह्वनेहसम् । वरदानोन्मुखो धाता प्रार्थितश्चेति सत्तम
kiṃtu pūrvaṃ tapastaptvā revayā bahvanehasam | varadānonmukho dhātā prārthitaśceti sattama
Но прежде, о лучший из благих, Рева (Нармада) совершала тапас в течение весьма долгого времени; затем к Дхате, Творцу (Брахме), склонному даровать благодать, она приблизилась и вознесла просьбу.
Skanda (contextual attribution within Kāśīkhaṇḍa: Skanda to Agastya)
Tirtha: Revā (Narmadā)
Type: river
Listener: null
Scene: Personified Revā as a radiant river-goddess performing long tapas on a riverbank/forest hermitage; Brahmā (Dhātā) appears, four-faced, lotus-seated, inclined to grant a boon.
Persistent tapas, done with faith, prepares one to receive divine grace and boons.
The broader narrative belongs to Kāśī’s glory, though this verse focuses on Narmadā’s austerities before Brahmā.
Tapas (austerity) is emphasized as the preparatory dharmic act before seeking a boon.