Skanda Purana — Kashi Khanda, Shloka 4
गणावूचतुः । पुरा सिसृक्षतः सृष्टिं स्रष्टुरंगुष्ठपृष्ठतः । दक्षः प्रजाविनिर्माणे दक्षो जातः प्रजापतिः । षष्टिर्दुहितरस्तस्य तपोलावण्यभूषणाः । सर्वलावण्यरोहिण्यो रोहिणीप्रमुखाः शुभाः
gaṇāvūcatuḥ | purā sisṛkṣataḥ sṛṣṭiṃ sraṣṭuraṃguṣṭhapṛṣṭhataḥ | dakṣaḥ prajāvinirmāṇe dakṣo jātaḥ prajāpatiḥ | ṣaṣṭirduhitarastasya tapolāvaṇyabhūṣaṇāḥ | sarvalāvaṇyarohiṇyo rohiṇīpramukhāḥ śubhāḥ
Ганы сказали: «В древние времена, когда Творец пожелал развернуть творение, Дакша — искусный Праджапати — возник с тыльной стороны большого пальца Творца, сведущий в порождении существ. У него было шестьдесят благих дочерей, украшенных тапасом и красотой, сияющих всей прелестью; во главе их была Рохини».
Gaṇas (Śiva’s attendants)
Scene: A cosmic tableau: the Creator (Brahmā) in meditation; from the back of his thumb arises Dakṣa, radiant and poised as Prajāpati; around him stand sixty luminous daughters, austere yet beautiful, Rohiṇī foremost.
FAQs
Cosmic order arises through divinely sanctioned creation, and austerity (tapas) is portrayed as an ornament that sanctifies even celestial lineages.
The wider passage belongs to the Kāśī-khaṇḍa (Kāśī-māhātmya), setting the stage for later verses that anchor the narrative in Kāśī’s sacred landscape.
No explicit ritual is prescribed in this verse; it introduces the lineage and virtues (tapas) that lead to later Kāśī-centered worship and boons.