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Shloka 13

Manifestation of the Śrī Vāsudeva Hymn in the Glory of Guru-tīrtha

Cyavana Narrative within the Vena Episode

तावद्विमानः संप्राप्तः किंकिणीजालमंडितः । घंटारवसमाकीर्णो वीणावेणुसमन्वितः

tāvadvimānaḥ saṃprāptaḥ kiṃkiṇījālamaṃḍitaḥ | ghaṃṭāravasamākīrṇo vīṇāveṇusamanvitaḥ

И тут же прибыла небесная вимана, украшенная сетью звенящих колокольчиков; она была наполнена перезвоном и сопровождалась музыкой вины и флейты.

तावत्just then; meanwhile
तावत्:
Kriyāviśeṣaṇa (Temporal adverb)
TypeIndeclinable
Rootतावत् (अव्यय)
Formअव्यय (तावद् = तस्मिन्नेव काले/इत्यावत्तावत्; temporal/limit particle)
विमानःthe aerial chariot
विमानः:
Kartā (Subject)
TypeNoun
Rootविमान (प्रातिपदिक)
Formपुल्लिङ्ग (प्रयोगे), प्रथमा-विभक्तिः, एकवचनम्
संप्राप्तःarrived
संप्राप्तः:
Kriyā (Predicate; participial)
TypeVerb
Rootसम् + प्र + आप् (धातु)
Formकृदन्त (क्त-प्रत्ययः), पुल्लिङ्ग, प्रथमा-विभक्तिः, एकवचनम्; 'arrived'
किंकिणीजालमण्डितःadorned with a net of tinkling bells
किंकिणीजालमण्डितः:
Viśeṣaṇa (Qualifier)
TypeAdjective
Rootकिंकिणी (प्रातिपदिक) + जाल (प्रातिपदिक) + मण्डित (कृदन्त/प्रातिपदिक)
Formतत्पुरुष-समासः (किंकिणीनां जालम्; तेन मण्डितः = तृतीया-तत्पुरुषः/करण-सम्बन्धः); पुल्लिङ्ग, प्रथमा-विभक्तिः, एकवचनम्; विशेषणम् (विमानः)
घण्टारवसमाकीर्णःfilled with the sound of bells
घण्टारवसमाकीर्णः:
Viśeṣaṇa (Qualifier)
TypeAdjective
Rootघण्टा (प्रातिपदिक) + रव (प्रातिपदिक) + सम् + आ + कीर्ण (कृदन्त)
Formतत्पुरुष-समासः (घण्टायाः रवः; तेन समाकीर्णः = तृतीया-तत्पुरुषः); पुल्लिङ्ग, प्रथमा-विभक्तिः, एकवचनम्; विशेषणम् (विमानः)
वीणा-वेणु-समन्वितःaccompanied by vīṇā and flute (music)
वीणा-वेणु-समन्वितः:
Viśeṣaṇa (Qualifier)
TypeAdjective
Rootवीणा (प्रातिपदिक) + वेणु (प्रातिपदिक) + समन्वित (प्रातिपदिक/कृदन्त)
Formद्वन्द्व-समासः (वीणा च वेणु च) + समन्वितः (युक्तः); पुल्लिङ्ग, प्रथमा-विभक्तिः, एकवचनम्; विशेषणम् (विमानः)

Unspecified narrator (context-dependent within Adhyaya 98)

Concept: Subtle signs (śabda, maṅgala-dhvani) herald karmic fruition; divine order reveals itself through auspicious sound and beauty.

Application: Treat auspicious beginnings (prayer, clean space, sacred sound) as reminders to align actions with dharma before outcomes arrive.

Primary Rasa: adbhuta

Secondary Rasa: shringara

Type: celestial_realm

Visual Art Cues: {"scene_description":"A radiant vimāna glides into view above the earthly horizon, its lattice of tiny bells shimmering like a net of stars. The air vibrates with layered tones—ringing ghantā, vīṇā strings, and a soft veṇu—while clouds part as if respectfully making way.","primary_figures":["celestial vimāna (personified as divine conveyance)","Gandharvas (musicians)","Apsarases (attendants)"],"setting":"sky over an earthly clearing near a royal encampment or forest edge; distant temple spire silhouettes to hint at sacred geography without naming a specific tirtha","lighting_mood":"divine radiance","color_palette":["sapphire blue","gold leaf","pearl white","lotus pink","emerald green"],"tanjore_prompt":"Tanjore painting style: a jeweled vimāna descending from a deep sapphire sky, gold-leaf bell-net (kiṅkiṇī-jāla) rendered with embossed highlights, Gandharvas holding vīṇā and veṇu with gem-studded crowns, apsarases in rich red-green silks, ornate borders with lotus motifs and conch-disc emblems.","pahari_prompt":"Pahari miniature style: a lyrical sky-scape with soft cloud bands, delicate bell-net details, slender Gandharvas playing vīṇā and flute, apsarases with refined expressions, cool blues and pale golds, a quiet forest clearing below with tiny figures looking upward.","kerala_mural_prompt":"Kerala mural style: bold black outlines, a luminous vimāna with stylized bell patterns, Gandharvas in rhythmic poses with vīṇā/veṇu, apsarases with characteristic large eyes, warm yellow-red-green pigments, temple-wall composition symmetry.","pichwai_prompt":"Pichwai cloth painting style: celestial vimāna framed by lotus creepers and peacock-feather borders, deep indigo sky with gold highlights, musical Gandharvas arranged like a mandala, apsarases as floral attendants, subtle Vaishnava symbols (śaṅkha-cakra) integrated into the border."}

Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","conch shell","string drone (tanpura)","flute phrases","soft wind through clouds"]}

Sandhi Resolution Notes: तावद्विमानः = तावत् + विमानः; किंकिणीजालमण्डितः = किंकिणी-जाल-मण्डितः; घण्टारवसमाकीर्णः = घण्टा-रव-समाकीर्णः; वीणावेणुसमन्वितः = वीणा-वेणु-समन्वितः.

FAQs

A vimāna is a celestial vehicle or aerial chariot associated with divine or heavenly beings, often described with splendor, ornamentation, and auspicious sounds.

Auspicious sound is a marker of divine presence in Purāṇic literature; it signals arrival from a higher realm and frames the event as sacred, celebratory, and orderly.

The verse reinforces reverence for the sacred: divine arrivals are portrayed as harmonious and beautifying, encouraging the listener to cultivate inner purity and attentiveness to dharmic, uplifting influences.