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Shloka 14

Vows of Hari and the Hundred Names of Suputra (Viṣṇu/Kṛṣṇa): Ritual Metadata and Fruits of Japa

हरिं मुरारिं गोविंदं पद्मनाभं प्रजापतिम् । आनंदं ज्ञानसंपन्नं ज्ञानदं ज्ञाननायकम्

hariṃ murāriṃ goviṃdaṃ padmanābhaṃ prajāpatim | ānaṃdaṃ jñānasaṃpannaṃ jñānadaṃ jñānanāyakam

Я почитаю Хари — Мурари, Говинду, Падманабху, Владыку существ, — Само Блаженство, исполненного истинного знания, дарующего знание и ведущего к знанию.

हरिम्Hari (Viṣṇu)
हरिम्:
कर्म (Karma/Object)
TypeNoun
Roothari (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular)
मुरारिम्enemy of Mura
मुरारिम्:
कर्म (Karma/Object)
TypeNoun
Rootमुरा + अरि (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); षष्ठी-तत्पुरुष (Genitive Tatpurusha: ‘मुरायाः अरिः’)
गोविन्दम्Govinda
गोविन्दम्:
कर्म (Karma/Object)
TypeNoun
Rootgovinda (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular)
पद्मनाभम्Padmanābha (lotus-naveled)
पद्मनाभम्:
कर्म (Karma/Object)
TypeNoun
Rootपद्म + नाभ (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); षष्ठी-तत्पुरुष (Genitive Tatpurusha: ‘पद्मस्य नाभः’)
प्रजापतिम्lord of creatures
प्रजापतिम्:
कर्म (Karma/Object)
TypeNoun
Rootप्रजा + पति (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); षष्ठी-तत्पुरुष (Genitive Tatpurusha: ‘प्रजानां पतिः’)
आनन्दम्bliss
आनन्दम्:
कर्म (Karma/Object)
TypeNoun
Rootānanda (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular)
ज्ञानसम्पन्नम्endowed with knowledge
ज्ञानसम्पन्नम्:
कर्म (Karma/Object)
TypeAdjective
Rootज्ञान + सम्पन्न (प्रातिपदिक); √पद्/√पन् (धातु) + क्त (past participle base ‘सम्पन्न’)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); तृतीया/उपपद-तत्पुरुषार्थ (instrumental sense: ‘ज्ञानेन सम्पन्नः’ = endowed with knowledge)
ज्ञानदम्giver of knowledge
ज्ञानदम्:
कर्म (Karma/Object)
TypeNoun
Rootज्ञान + द (प्रातिपदिक); √दा (धातु) + क (agentive, reduced)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); उपपद-तत्पुरुष (object relation: ‘ज्ञानं ददाति’)
ज्ञाननायकम्leader of knowledge (guide to knowledge)
ज्ञाननायकम्:
कर्म (Karma/Object)
TypeNoun
Rootज्ञान + नायक (प्रातिपदिक)
Formपुंलिङ्ग (Masculine), द्वितीया-विभक्ति (Accusative/2nd), एकवचन (Singular); षष्ठी-तत्पुरुष (Genitive Tatpurusha: ‘ज्ञानस्य नायकः’)

Unspecified (verse presented as a devotional invocation/stotra within the narrative context)

Concept: Hari is ānanda-svarūpa and jñāna-sampanna; He grants and guides knowledge—true knowing is a gift of grace that culminates in devotion and liberation.

Application: Before study, work, or decision-making, offer a brief prayer to Govinda as jñāna-prada; seek knowledge that reduces ego and increases compassion; treat learning as seva rather than self-display.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: celestial_realm

Visual Art Cues: {"scene_description":"Viṣṇu as Padmanābha reclines upon Ananta in a tranquil cosmic ocean; from His navel rises a radiant lotus, suggesting the birth of ordered knowledge. Yet the focus is intimate: Govinda’s gaze meets the devotee’s, and streams of light—like scriptural syllables—flow outward as ‘jñāna-dāna’, while the whole scene rests in quiet bliss.","primary_figures":["Viṣṇu (Hari, Govinda, Padmanābha)","Ananta (Śeṣa)","Brahmā (subtle, on lotus)","devotee (optional, foreground)"],"setting":"Cosmic ocean with lotus bloom, celestial mandapa motifs hovering like a temple in the sky; conch/discus symbols in the waves.","lighting_mood":"moonlit","color_palette":["deep ocean blue","silver white","lotus pink","antique gold","jade green"],"tanjore_prompt":"Tanjore painting style: Padmanābha reclining on Ananta, lotus rising from navel with Brahmā seated; heavy gold-leaf work on crowns, halo, and lotus petals; rich reds/greens in textiles, gem-studded ornaments; stylized cosmic ocean with embossed gold wave patterns; a small devotee receiving ‘jñāna’ as a beam of light.","pahari_prompt":"Pahari miniature style: serene night scene over a stylized ocean, delicate shading on the lotus and soft silver moonlight; Viṣṇu’s form graceful and calm, Brahmā tiny atop the lotus; refined faces, cool palette, lyrical clouds and subtle floral borders.","kerala_mural_prompt":"Kerala mural style: iconic Padmanābha composition with bold outlines, large eyes, layered jewelry; lotus and Brahmā rendered in temple-wall symmetry; natural pigments with dominant blues/greens and warm yellows; decorative borders of lotus and conch motifs.","pichwai_prompt":"Pichwai cloth painting style: Govinda emphasized—Viṣṇu/Kṛṣṇa-like face with ornate lotus borders, deep blue ground with gold highlights; lotus-navel motif central; peacocks and lamps in corners; intricate floral filigree and calligraphic ‘jñāna-prada’ banners integrated into the textile."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["ocean-like white noise (soft)","tanpura drone","gentle bell","conch shell (distant)","long pauses for contemplation"]}

Sandhi Resolution Notes: No non-trivial external sandhi beyond standard compound orthography.

V
Vishnu (Hari)
M
Murari
G
Govinda
P
Padmanabha
P
Prajapati

FAQs

Each epithet highlights a distinct attribute of Vishnu—his deeds (Murāri), his protective grace (Govinda), his cosmic form (Padmanābha), and his lordship over beings (Prajāpati)—creating a complete devotional portrait.

It praises Vishnu not only as bliss itself but also as the source, giver, and guide of knowledge, implying that true spiritual understanding is received through divine grace and reverent remembrance.

Seek wisdom with humility: the verse frames knowledge as something bestowed and directed by the Divine, encouraging disciplined learning aligned with devotion and inner purity.