Shloka 20
Origin of Suvrata
Boon, Sacred Ford, and the Birth Narrative
इति श्रीपद्मपुराणे पंचपंचाशत्सहस्रसंहितायां भूमिखंडे एेंद्रे सुमनो । पाख्याने सुव्रतोत्पत्तिर्नाम विंशोऽध्यायः
iti śrīpadmapurāṇe paṃcapaṃcāśatsahasrasaṃhitāyāṃ bhūmikhaṃḍe eेṃdre sumano | pākhyāne suvratotpattirnāma viṃśo'dhyāyaḥ
Так, в почитаемой «Падма-пуране» — в Бхуми-кханде свода из пятидесяти пяти тысяч стихов — в разделе Айндра, в повествовании о Сумане, завершается двадцатая глава, озаглавленная «Суврата-утпатти (Происхождение Сувраты)».
Colophon / editorial closing formula (no in-scene speaker)
Application: Use endings as intentional closures: conclude recitation with a brief namaskāra and resolve to carry the teaching into conduct—mirroring the Purāṇic habit of sealing a chapter.
Primary Rasa: shanta
Visual Art Cues: {"scene_description":"A palm-leaf manuscript lies open on a low wooden desk, its Sanskrit letters crisp, with a final colophon line emphasized in red ink. A small oil lamp flickers beside a conch and a Tulasi sprig, suggesting the sacred act of copying and concluding a chapter.","primary_figures":["Anonymous scribe (optional)","Palm-leaf manuscript (as focal object)"],"setting":"Traditional manuscript-copying space—quiet study corner of a temple or āśrama, with ink pot, stylus, and lamp.","lighting_mood":"temple lamp-lit","color_palette":["lamp-gold","aged palm-leaf tan","ink black","vermillion red","deep brown wood"],"tanjore_prompt":"Tanjore painting style: devotional still-life of an open manuscript with ornate gold border framing the colophon, oil lamp with gold highlights, conch and small altar elements, rich reds and greens in the surrounding textile, stylized sacred ambiance.","pahari_prompt":"Pahari miniature style: intimate scriptorium scene with a scribe and palm-leaf manuscript, delicate linework, warm lamplight, muted earth tones, minimal background, contemplative quiet.","kerala_mural_prompt":"Kerala mural style: stylized manuscript and lamp with bold outlines, flat color fields, temple-wall aesthetic, red-yellow-green accents, sacred objects arranged symmetrically.","pichwai_prompt":"Pichwai cloth painting style: ornamental border-heavy composition with manuscript at center, lotus and floral borders, deep blue ground with gold detailing, lamp and conch as auspicious motifs, textile-like intricacy."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":null,"pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["page rustle","soft bell to mark completion","brief silence"]}
Sandhi Resolution Notes: श्रीपद्मपुराणे = श्री+पद्म+पुराणे; पंचपंचाशत्सहस्रसंहितायां = पञ्च+पञ्चाशत्+सहस्र+संहितायाम्; भूमिखंडे = भूमि+खण्डे; सुव्रतोत्पत्तिः = सुव्रत+उत्पत्तिः; विंशोऽध्यायः = विंशः + अध्यायः (अः + अ → ओऽ)
FAQs
It is a colophon—a traditional closing line that marks the end of a chapter and records the text’s internal location (khanda, section, and chapter title).
“Aindra” denotes a subsection associated with Indra (or Indra-related framing), used as an internal classifier for organizing narratives within the Bhūmi-khaṇḍa.
It provides reliable citation metadata—work name, khanda, approximate compilation size, subsection label, narrative name, and chapter title—useful for indexing, cross-referencing manuscripts, and SEO-friendly navigation.