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Narada Purana — Purva Bhaga, Shloka 9

Rādhā-sambaddha-mantra-vyākhyā

Rādhā-Related Mantras Explained

कलावतीमुखाष्टानामीश्वरी ललिता मता । राधाचरणपूजायामुक्ता मालावतीमुखाः ॥ ९ ॥

kalāvatīmukhāṣṭānāmīśvarī lalitā matā | rādhācaraṇapūjāyāmuktā mālāvatīmukhāḥ || 9 ||

Среди восьми, начинающихся с Калавати, владычицей-богиней считается Лалита; а в поклонении стопам Радхи говорится, что они перечисляются, начиная с Малавати.

कलावतीमुखाष्टानाम्of the group of eight headed by Kalāvatī
कलावतीमुखाष्टानाम्:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootकलावती + मुख + अष्टन् (प्रातिपदिक)
Formस्त्रीलिङ्ग, षष्ठी-विभक्ति (Genitive), बहुवचन; समासः—तत्पुरुषः (कलावतीमुख-समूहः) + ‘अष्ट’ (eight)
ईश्वरीthe mistress/leader
ईश्वरी:
Karta (कर्ता)
TypeNoun
Rootईश्वरी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), एकवचन
ललिताLalitā
ललिता:
Karta (कर्ता)
TypeNoun
Rootललिता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), एकवचन; ईश्वरी इत्यस्य समानााधिकरणम्
मताis considered
मता:
Kriya (क्रिया)
TypeVerb
Rootमन् (धातु)
Formकृदन्त—क्त (past passive participle), स्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; ‘is considered’
राधाचरणपूजायाम्in the worship of Rādhā’s feet
राधाचरणपूजायाम्:
Adhikarana (अधिकरण)
TypeNoun
Rootराधा + चरण + पूजा (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन; समासः—तत्पुरुषः (राधायाः चरणयोः पूजा)
उक्ताare said (to be)
उक्ता:
Kriya (क्रिया)
TypeVerb
Rootवच् (धातु)
Formकृदन्त—क्त (past passive participle), स्त्रीलिङ्ग, प्रथमा-विभक्ति, बहुवचन (समूहवाचक-स्त्री); ‘are said/called’
मालावतीमुखाःthose headed by Mālāvatī
मालावतीमुखाः:
Karta (कर्ता)
TypeNoun
Rootमालावती + मुख (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; समासः—तत्पुरुषः (मालावती मुखं यस्याः/येषां ते) ‘headed by Mālāvatī’

Sanatkumara (in dialogue instruction to Narada)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: shanta

L
Lalitā
R
Rādhā
K
Kalāvatīmukhā
M
Mālāvatīmukhā

FAQs

It identifies Lalitā as the presiding Śakti among a named group of eight, and links that devotional hierarchy directly to the practice of worshiping Rādhā’s feet—emphasizing ordered, name-based devotion (nāma-smaraṇa and pūjā-krama).

Bhakti is presented as structured worship: honoring Rādhā through caraṇa-pūjā while invoking attendant divine forms in a prescribed sequence, with Lalitā acknowledged as the leading īśvarī within that set.

Ritual application of mantra/nāma lists and pūjā-krama (procedural ordering) is implied—an applied, technical dimension of worship aligned with śrauta/smārta-style precision in recitation and sequence.