Narada Purana — Purva Bhaga, Shloka 170
हृञ्च दाहक्ष्मास्वयुतं वज्रेशीपञ्चमं तथा । मरुत्स्वयुक्तो मध्याढ्यो दशम्याः परतः पुनः ॥ १७० ॥
hṛñca dāhakṣmāsvayutaṃ vajreśīpañcamaṃ tathā | marutsvayukto madhyāḍhyo daśamyāḥ parataḥ punaḥ || 170 ||
«Слог “hṛñ” следует, как предписано, соединить с “dāha” и “kṣmā”; также пятым является “vajreśī”. Затем, в соединении с “marut”, это помещают в середину; и вновь — ставят после десятого».
Sanatkumara (in instruction to Narada on technical mantra/phonetic arrangement)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
FAQs
It preserves the precision of mantra-prayoga: correct joining and placement of syllables/terms is treated as spiritually consequential, because efficacy in japa and ritual depends on exact śikṣā-style ordering and nyāsa-like positioning.
Indirectly: it supports bhakti by giving the technical framework for disciplined mantra-recitation used in Vishnu-oriented worship—showing that devotion in the Narada Purana is often paired with exact, rule-based practice.
Śikṣā/ritual-mantra procedure: it specifies how particular syllables and mantra-elements are to be combined and where they are to be placed (middle, after the tenth), reflecting technical sequencing used in mantra-vinyāsa/nyāsa traditions.