Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
देवीमिष्ट्वा मध्ययोनौ त्रिकोणे रतिपूर्विकाम् । वामकोणे रतिं दक्षे प्रीतिमग्रे मनोभवाम् ॥ २४ ॥
devīmiṣṭvā madhyayonau trikoṇe ratipūrvikām | vāmakoṇe ratiṃ dakṣe prītimagre manobhavām || 24 ||
Поклонившись Богине в центральном йони-образном треугольнике, следует поместить (и почитать) там Ратипурвику (Ratipūrvikā); в левом углу — Рати, в правом — Прити, а в передней вершине — Манобхаву (Manobhavā).
Narada (in instruction to the Sanatkumara tradition, within a technical/ritual exposition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches a precise upāsanā method: the Goddess is worshipped through ordered placement of associated śaktis in a yoni-shaped triangular maṇḍala, emphasizing disciplined ritual structure and focused contemplation.
Bhakti here is expressed as reverent, methodical worship—honoring the Goddess and her attendant powers (Rati, Prīti, etc.) through a prescribed arrangement that aids single-pointed devotion and visualization.
It reflects kalpa-style ritual procedure and maṇḍala/nyāsa principles—practical liturgical know-how about where deities are invoked and worshipped within a geometric diagram.