Adhyaya 40 — The Yogin’s Impediments (Upasargas), Subtle Concentrations, and the Eight Siddhis
स्पर्शं वायो तथा तद्वद्विभ्रतस्तस्य धारणाम् ।
व्योम्रः सूक्ष्मां प्रवृत्तिञ्च शब्दं तद्वज्जहाति सः ॥
sparśaṃ vāyo tathā tadvadvibhratastasya dhāraṇām | vyomraḥ sūkṣmāṃ pravṛttiñca śabdaṃ tadvajjahāti saḥ ||
Так же, удерживая это сосредоточение, он оставляет осязание — качество воздуха. Затем в эфире (акаше), тонким движением сознания, он подобным образом оставляет звук.
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Progress requires relinquishing even refined sensory markers; the practitioner learns to release the last ‘signatures’ by which mind recognizes worlds.
Yoga praxis instruction; not pañcalakṣaṇa.
The text encodes the tanmātra hierarchy: air→touch; ether→sound. Dropping sound in ‘space’ symbolizes entering a non-objectified awareness beyond vibration/word.