Adhyaya 70: आदिसर्गः—महत्-अहङ्कार-तन्मात्रा-भूतसृष्टिः, ब्रह्माण्डावरणम्, प्रजासर्गः, त्रिमूर्ति-शैवाधिष्ठानम्
ब्रह्मऽस् एलेवेन् सोन्स् देवानृषींश् च महतो गदतस्तान् निबोधत मरीचिभृग्वङ्गिरसं पुलस्त्यं पुलहं क्रतुम्
Brahma's eleven sons devānṛṣīṃś ca mahato gadatastān nibodhata marīcibhṛgvaṅgirasaṃ pulastyaṃ pulahaṃ kratum
Слушайте и разумейте, как Великий Брахма возвещает: его одиннадцать уморождённых сыновей — девы и риши‑прародители, а именно Маричи, Бхригу, Ангирас, Пуластья, Пулахa, Крату (и прочие); через них под властью Господа‑Пати текут потоки творения.
Suta Goswami (narrating Brahmā’s account within the creation narrative)
It situates Linga-centered Shaiva cosmology within sṛṣṭi: even Brahmā’s progeny (devas and ṛṣis) function as secondary agents, while ultimate sovereignty belongs to Pati (Śiva), the ground of order that Linga worship points to.
Implicitly, it shows Shiva-tattva as Pati—transcendent Lord beyond the created hierarchy—while Brahmā and the Prajāpatis are instrumental causes within manifestation, not the final cause.
No specific puja-vidhi is stated; the takeaway is doctrinal: creation unfolds through ṛṣi-lineages, which later transmit mantra, vrata, and Pāśupata-oriented disciplines that culminate in devotion to the Linga as the sign of Pati.