Māheśvara-snāna: Lakṣa/Koṭi-homa, Protective Baths, Unguents, and Graha-Śānti
हैमाद्भिश् चैव माङ्गल्यं रूप्यताम्रोदकैस् तथा रत्नोदकैस्तु विजयः सौभाग्यं सर्वगन्धकैः
haimādbhiś caiva māṅgalyaṃ rūpyatāmrodakais tathā ratnodakaistu vijayaḥ saubhāgyaṃ sarvagandhakaiḥ
Вода, связанная с золотом, приносит благость и благоприятность; так же вода, связанная с серебром и медью. Вода, насыщенная силой драгоценных камней, дарует победу; а вода, благоухающая всеми ароматами, приносит удачу и саубхагью.
Lord Agni (in instruction to the sages, traditionally to Vasiṣṭha in Agni Purāṇa discourse)
Vidya Category: {"primary_vidya":"Puja-vidhi / Snana-prayoga","secondary_vidya":"Mantra","practical_application":"Select abhiṣeka/snānīya water media (gold, silver/copper, gems, perfumes) to invoke specific auspicious results—maṅgalya, victory, and saubhāgya—within consecration and ceremonial bathing.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"List","entry_title":"Abhiṣeka-jala-bheda: Hema–Rūpya–Tāmra–Ratna–Sarvagandha Phala","lookup_keywords":["abhisheka","hema-udaka","ratnodaka","sarvagandha","mangala-snana"],"quick_summary":"Different empowered waters are assigned distinct fruits: gold-associated water for auspiciousness, silver/copper water likewise, gem-infused water for victory, and fully perfumed water for good fortune."}
Concept: Symbolic correspondences: material purity/splendor (hema, ratna, gandha) is used as a support for invoking inner and outer maṅgala and siddhi.
Application: In ceremonial worship, choose offerings that reinforce the intended saṅkalpa (maṅgala, vijaya, saubhāgya) while maintaining cleanliness and non-harm.
Khanda Section: Puja-vidhi (Abhisheka & Mangala-snana rites)
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"Temple abhiṣeka: priests pour water from kalaśas containing gold/silver/copper contact, gem-infused water, and fragrant perfumed water over a deity or devotee in a maṅgala-snana ceremony.","kerala_mural_prompt":"Kerala mural, temple abhiṣeka scene with bronze kalaśas, hints of gold and gem colors in water streams, incense and flower garlands, stylized deity silhouette, serene ritual atmosphere.","tanjore_prompt":"Tanjore painting, richly ornamented deity receiving abhiṣeka, gold leaf emphasizing hema association, gem-like highlights in the water, heavy floral perfumes and lamps, ornate arch frame.","mysore_prompt":"Mysore painting, clean diagrammatic ritual scene: four vessels labeled hema/rūpya-tāmra/ratna/sarvagandha, priest performing abhiṣeka, precise detailing of implements.","mughal_miniature_prompt":"Mughal miniature, courtly shrine with attendants holding metal ewers and jewel caskets, perfumers presenting gandha, delicate water streams over idol, intricate architecture and textiles."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Kalyani","pace":"medium","voice_tone":"devotional"}
Sandhi Resolution Notes: हैमाद्भिः = हैम-अद्भिः; उदकैः + तु → उदकैस्तु; रूप्यताम्रोदकैः = रूप्य-ताम्र-उदकैः; रत्नोदकैः = रत्न-उदकैः
Related Themes: Agni Purana 266 (mangala-snana/abhisheka phala lists); Agni Purana iconography/temple ritual sections (general)
It specifies the phala (ritual result) of abhiṣeka/snānīya water prepared with particular substances—gold for auspiciousness, silver/copper-associated water for auspicious effect, gem-associated water for victory, and universally fragrant water for good fortune.
It catalogues practical ritual variables (dravya—materials) and their claimed outcomes (phala), reflecting the Agni Purana’s systematic, almost manual-like treatment of worship technology alongside its many other disciplines.
By choosing ritually potent substances for abhiṣeka, the practitioner aligns the rite with śubha-phala (auspicious karmic outcomes)—purification, prosperity, and success—framing devotion as both spiritual and merit-yielding action.