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Agni Purana — Vastu-Pratishtha & Isana-kalpa, Shloka 3

Gaṇeśa-pūjā-vidhiḥ

The Procedure for Worship of Gaṇeśa

गणो गुरुः पादुका च शक्त्यनन्तौ च धर्मकः मुख्यास्थिमण्डलं चाधश्चोर्ध्वच्छदनमर्चयेत्

gaṇo guruḥ pādukā ca śaktyanantau ca dharmakaḥ mukhyāsthimaṇḍalaṃ cādhaścordhvacchadanamarcayet

Следует совершать поклонение по порядку: Гане (Gaṇa), Гуру, падукам (pādukā, сандалиям Гуру), Шакти и Ананте, Дхарме, главному костяному кругу мандалы (mukhya-asthi-maṇḍala), а также нижнему и верхнему покровам.

गणःthe gaṇa/attendant-group (name)
गणः:
Karma (कर्म)
TypeNoun
Rootगण (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
गुरुःthe guru/teacher (name)
गुरुः:
Karma (कर्म)
TypeNoun
Rootगुरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
पादुकाsandals (name/ritual item)
पादुका:
Karma (कर्म)
TypeNoun
Rootपादुका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
शक्तिpower/spear (name)
शक्ति:
Karma (कर्म)
TypeNoun
Rootशक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
अनन्तौthe two Anantas (name)
अनन्तौ:
Karma (कर्म)
TypeNoun
Rootअनन्त (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), द्विवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
धर्मकःDharmaka (name)
धर्मकः:
Karma (कर्म)
TypeNoun
Rootधर्मक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
मुख्यास्थिमण्डलम्the principal bone-circle/mandala
मुख्यास्थिमण्डलम्:
Karma (कर्म)
TypeNoun
Rootमुख्य+अस्थि+मण्डल (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (1st/2nd), एकवचन; षष्ठी-तत्पुरुष (मुख्यस्य अस्थिमण्डलम् / the principal bone-circle)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
अधःbelow
अधः:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootअधः (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
ऊर्ध्वच्छदनम्upper covering/canopy
ऊर्ध्वच्छदनम्:
Karma (कर्म)
TypeNoun
Rootऊर्ध्व+छदन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया-विभक्ति (1st/2nd), एकवचन; तत्पुरुष (ऊर्ध्वस्य छदनम् / upper covering)
अर्चयेत्should worship
अर्चयेत्:
Kriya (क्रिया)
TypeVerb
Rootअर्च् (धातु)
Formविधिलिङ् (Optative/Ben.), प्रथमपुरुष (3rd person), एकवचन; परस्मैपदम्

Lord Agni (teaching the sage Vasiṣṭha in the Agni Purana’s instructional dialogue)

Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Shilpa","practical_application":"Mandala/āvaraṇa-pūjā sequencing: worship of attendant principles (Gaṇa, Guru, Pādukā, Śakti, Ananta, Dharma) and structural layers (bone-circle, upper/lower coverings) during deity-installation or daily worship.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"List","entry_title":"Āvaraṇa-devatā order in mandala worship (Gaṇa–Guru–Pādukā–Śakti–Ananta–Dharma–Asthi-maṇḍala)","lookup_keywords":["āvaraṇa-pūjā","mandala","Guru-pādukā","Śakti","Ananta"],"quick_summary":"Worship proceeds through a defined hierarchy: protective/attendant deities and principles, then the mandala’s core ring and its upper/lower coverings, completing the ritual enclosure."}

Concept: Āvaraṇa-bhāvanā: divinity is approached through concentric supports—guru-paramparā, śakti, cosmic support (ananta), and dharma—before the core is accessed.

Application: In pūjā, maintain sequence and completeness; treat diagram layers as living presences to stabilize attention and sanctify space.

Khanda Section: Puja-vidhi (Iconography & Mandala Worship / Tantric-ritual components of deity-installation and daily worship)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A ritual mandala with concentric layers: outer attendants (Gaṇa), Guru and pādukā, Śakti, Ananta, Dharma, then a central ‘bone-circle’ ring, with upper and lower coverings being offered flowers and lamps in sequence.","kerala_mural_prompt":"Kerala mural, top-down mandala diagram rendered iconically: concentric rings with small deity-figures labeled Gaṇa, Guru, Pādukā, Śakti, Ananta (serpent ring), Dharma; priest offering flowers; muted ochres and reds, temple wall aesthetic.","tanjore_prompt":"Tanjore style, central mandala as jeweled medallion with gold foil; small seated figures of Guru and Śakti; Ananta as coiled serpent border; offerings arranged symmetrically; rich ornament and haloed icons.","mysore_prompt":"Mysore painting, instructional clarity: concentric mandala with neat inscriptions; sequential worship shown in panels (Gaṇa → Guru → Pādukā → Śakti → Ananta → Dharma → asthi-maṇḍala → coverings); delicate shading and fine lines.","mughal_miniature_prompt":"Mughal miniature, courtly ritual room: a painted mandala on the floor, attendants placing flowers in order; detailed textiles and vessels; small symbolic figures for Śakti and Dharma; precise geometry."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Kalyani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: शक्त्यनन्तौ = शक्ति + अनन्तौ; चाधश्चोर्ध्वच्छदनम् = च + अधः + च + ऊर्ध्वच्छदनम्.

Related Themes: Agni Purāṇa 71 (mandala/nyāsa/arcana sequence)

G
Gaṇa (Gaṇeśa/gaṇadevatā)
G
Guru
P
Pādukā
Ś
Śakti
A
Ananta (Śeṣa)
D
Dharma
M
Maṇḍala (ritual diagram)

FAQs

It prescribes āvaraṇa/ancillary worship in mandala-arcana: honoring obstacle-removal (Gaṇa), lineage authority (Guru and pādukā), empowering principles (Śakti and Ananta), ritual-ethical correctness (Dharma), and specific mandala-structure elements (the main ring and upper/lower coverings).

It preserves a highly technical checklist of mandala-based worship—combining theology (Śakti, Ananta, Dharma), ritual protocol (Guru-pādukā), and diagrammatic/architectural vocabulary (maṇḍala components and coverings), showing the Purana’s practical manual-like breadth.

By worshipping the supports of the rite (Guru-lineage, Śakti, Dharma, and the mandala’s structural layers), the practitioner removes obstacles, stabilizes the ritual’s efficacy, and aligns the act of worship with dharma—thereby increasing merit and purity.

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