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Agni Purana — Agneya-vidya, Shloka 14

Chapter 33 — पवित्रारोहणविधानं

The Procedure for Pavitrārohaṇa / Installing the Sacred Thread or Consecratory Amulet

अथवार्कचतुर्विंशषड्त्रिंशन्मालिका द्विजः अनामामध्यमाङ्गुष्ठैर् मन्दाद्यैः मालिकार्थिभिः

athavārkacaturviṃśaṣaḍtriṃśanmālikā dvijaḥ anāmāmadhyamāṅguṣṭhair mandādyaiḥ mālikārthibhiḥ

Теперь, о двиджа (дваждырождённый): Маликā (Mālikā), метрическая серия, состоит из (единиц) двадцати четырёх и тридцати шести. Ищущие Маликā должны понимать/выстраивать её посредством пальцевых мер счёта, начиная с manda и прочих, пользуясь namā, madhyamā и aṅguṣṭha (большим пальцем).

अथnow/then
अथ:
सम्बन्ध (Discourse connector)
TypeIndeclinable
Rootअथ (अव्यय)
Formअव्यय; आरम्भार्थक-निपात (discourse marker)
वाor
वा:
सम्बन्ध (Connector)
TypeIndeclinable
Rootवा (अव्यय)
Formअव्यय; विकल्पार्थक-निपात
अर्कचतुर्विंशषट्त्रिंशन्मालिकाthe mālikā of (arka-) 24 and 36 (counts)
अर्कचतुर्विंशषट्त्रिंशन्मालिका:
कर्ता/विषय (Topic)
TypeNoun
Rootअर्क + चतुर्विंशति + षट्त्रिंशत् + मालिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; द्वन्द्व-समास (enumerative): ‘arkā-24’ and ‘36’ type mālikā
द्विजःa twice-born (brāhmaṇa)
द्विजः:
कर्ता (Karta/कर्ता)
TypeNoun
Rootद्विज (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
अनामा-मध्यम-अङ्गुष्ठैःwith the ring-finger, middle-finger, and thumb
अनामा-मध्यम-अङ्गुष्ठैः:
करण (Karaṇa/करण)
TypeNoun
Rootअनामा + मध्यम + अङ्गुष्ठ (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन; करण (instrument); द्वन्द्व: ring-finger, middle-finger, thumb
मन्दाद्यैःbeginning with ‘manda’ etc. (names/types)
मन्दाद्यैः:
विशेषण (Adjectival to instrument)
TypeAdjective
Rootमन्द + आदि (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन; विशेषण; ‘-आद्यैः’ = ‘beginning with manda…’
मालिकार्थिभिःby/with those desiring a mālikā (garland/rosary)
मालिकार्थिभिः:
सह (Saha/सह)
TypeNoun
Rootमालिका + अर्थिन् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/तृतीया), बहुवचन; सह/साधन-भाव (associative/instrumental)

Lord Agni (narrating the encyclopedic disciplines to the sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Alamkara","secondary_vidya":"Natya","practical_application":"Identify/construct Mālikā metrical patterns using prescribed mātrā/akṣara counts and finger-counting (tāla-like) methods for composition and recitation.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Mālikā-chandas (24/36 Units) and Finger-Measure Method","lookup_keywords":["malika-chandas","prosody","24","36","angushtha"],"quick_summary":"Defines the Mālikā metrical series as built from 24 and 36 units, to be grasped through finger-count measures (namā, madhyamā, aṅguṣṭha) and rhythmic categories beginning with manda."}

Concept: Systematic knowledge of chandas enables accurate transmission of sacred and literary speech.

Application: Use finger-counting to check mātrā totals while composing/reciting, ensuring metrical correctness.

Khanda Section: Sahitya-shastra (Chandas and Prosody: mālikā-metre patterns)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A teacher instructs a student in Mālikā meter, counting rhythmic units on fingers (thumb, middle finger, etc.), with a palm-leaf prosody chart showing 24 and 36 unit patterns.","kerala_mural_prompt":"Kerala mural, guru and śिष्य seated with palm-leaf manuscript, hands prominently showing finger-counting, stylized prosody symbols, warm temple-school ambience.","tanjore_prompt":"Tanjore painting, scholarly scene with gold-embellished manuscript borders, guru demonstrating finger-counting for meter, student holding stylus, decorative frame and halo-like backdrop.","mysore_prompt":"Mysore painting, clear pedagogical composition: finger positions labeled, 24/36 unit grid on manuscript, calm classroom setting, fine lines and soft colors for instructional clarity.","mughal_miniature_prompt":"Mughal miniature, literary salon: poet-teacher counting meter on fingers, scribe noting 24/36 patterns, detailed textiles and bookstand, refined facial expressions."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Khamas","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: athavā + arka- → athavārka-; aṅguṣṭhaiḥ (visarga sandhi in recitation) written as अङ्गुष्ठैर्; ṣaḍ + triṃśan- → ṣaṭtriṃśan- (assimilation).

Related Themes: Agni Purana 33 (Sāhitya-śāstra: chandas/prastāra context)

A
Agni Purana
C
Chandas
M
Mālikā-vṛtta
D
Dvija

FAQs

It teaches a chandas (prosody) rule: how Mālikā-type metres are defined by specific counts (noted here as 24 and 36) and verified via a traditional finger-counting method using the thumb, middle, and ring fingers with measures beginning from “manda.”

Beyond theology and ritual, the Agni Purana also preserves technical śāstras; this verse is part of its Sanskrit literary science section, documenting practical metrical theory used in composing and analyzing kāvya.

Mastery of correct chandas supports accurate recitation and refined composition; in the Purāṇic view, disciplined speech and properly measured verse aid clarity, preserve tradition, and are treated as meritorious learning (vidyā-dāna/adhyayana).