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Agni Purana — Agneya-vidya, Shloka 41

Explanation of the Vāsudeva and Related Mantras (वासुदेवादिमन्त्रनिरूपणम्)

द्वादशात्मा पञ्चविंशः षड्विंशव्यूहकस् तथा पुरुषो धीरहङ्कारो मनश्चित्तञ्च शब्दकः

dvādaśātmā pañcaviṃśaḥ ṣaḍviṃśavyūhakas tathā puruṣo dhīrahaṅkāro manaścittañca śabdakaḥ

Он имеет двенадцатичленную природу; он — двадцать пятый принцип; и также устроен как двадцать шестичленная конфигурация (вьюха). Он — Пуруша; с устойчивым аханкāрой, с манасом и читтой, и характеризуется шабдой (звуком).

द्वादशात्माthe twelvefold self
द्वादशात्मा:
Karta (कर्ता/Subject)
TypeNoun
Rootद्वादश-आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; ‘द्वादश’ (twelve) + ‘आत्मा’ (self/essence)
पञ्चविंशःthe twenty-fifth
पञ्चविंशः:
Karta (कर्ता/Subject)
TypeAdjective
Rootपञ्चविंश (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; संख्याविशेषण (twenty-fifth)
षड्विंशव्यूहकःthe twenty-sixfold grouping
षड्विंशव्यूहकः:
Karta (कर्ता/Subject)
TypeNoun
Rootषड्विंश-व्यूहक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; ‘षड्विंश’ (twenty-six) + ‘व्यूहक’ (arrangement/group)
तथाlikewise
तथा:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय, समुच्चय/तुल्यवृत्ति (adverb: 'likewise/also')
पुरुषःPuruṣa (person/cosmic being)
पुरुषः:
Karta (कर्ता/Subject)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
धीरsteady, wise
धीर:
Karta (कर्ता/Subject-qualifier)
TypeAdjective
Rootधीर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण
अहङ्कारःego-principle (ahaṅkāra)
अहङ्कारः:
Karta (कर्ता/Subject)
TypeNoun
Rootअहङ्कार (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
मनःmind (manas)
मनः:
Karta (कर्ता/Subject)
TypeNoun
Rootमनस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
चित्तम्mind-stuff, consciousness (citta)
चित्तम्:
Karta (कर्ता/Subject)
TypeNoun
Rootचित्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
शब्दकःsound-principle (śabda)
शब्दकः:
Karta (कर्ता/Subject)
TypeNoun
Rootशब्दक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन

Lord Agni (narrating to Sage Vasiṣṭha in the Agni Purana’s instructional discourse)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Cosmology","practical_application":"Tattva-nirupana for meditation and discrimination: understand Purusha’s status (as 25th/26th principle in varying enumerations) and the functional emergence of inner instruments (ahamkara, manas, citta) and tanmatra marker (shabda) to guide yogic analysis.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Purusha and tattva enumeration (12-fold, 25th, 26th; ahamkara–manas–citta; shabda)","lookup_keywords":["Sankhya","Purusha","25th tattva","26th tattva","ahamkara"],"quick_summary":"Defines Purusha’s placement in tattva-counts and links inner faculties and sound-principle; used for metaphysical clarity in yoga and for aligning ritual cosmology with philosophical categories."}

Concept: Tattva-viveka: Purusha distinct from evolutes; inner instruments (antahkarana) and tanmatras are categorized for liberation-oriented discernment.

Application: In meditation, observe ahamkara/manas/citta as objects; rest as witnessing Purusha; use tattva-count as a scaffold for pratyahara and dhyana.

Khanda Section: Sankhya–Yoga / Tattva-nirupana (Cosmology and categories of existence)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A cosmological chart-like vision: Purusha as luminous witness above a layered schema of tattvas—ahamkara, manas, citta—and the subtle sound principle (shabda) depicted as vibrating ether.","kerala_mural_prompt":"Kerala mural cosmogram: central radiant Purusha figure, concentric bands labeled as tattvas, stylized sound-waves in akasha, traditional ornamental borders and flat color fields","tanjore_prompt":"Tanjore iconized metaphysics: Purusha as golden luminous presence, surrounding lotus-petals representing tattvas (25/26), embossed gold for the central witness, rich jewel tones","mysore_prompt":"Mysore painting as didactic diagram: neat concentric circles or vertical ladder of tattvas with Purusha at top, fine lines, soft colors, clear labels for ahamkara/manas/citta/shabda","mughal_miniature_prompt":"Mughal miniature manuscript illustration: a sage teaching Sankhya with a painted chart, Purusha shown as a haloed silhouette, delicate calligraphy naming tattvas, refined palette"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Darbari Kanada","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: षड्विंशव्यूहकस्→षड्विंशव्यूहकः; मनश्चित्तञ्च→मनः चित्तम् च; (धीरहङ्कारो→धीर अहङ्कारः).

Related Themes: Agni Purana 25.42 (tanmatras, jnanendriyas, karmendriyas list)

P
Puruṣa
A
Ahaṅkāra
M
Manas
C
Citta
Ś
Śabda
T
Tattvas (Sāṅkhya categories)

FAQs

It imparts tattva-vidyā: a Sāṅkhya-style mapping of reality, identifying Puruṣa (the 25th principle) and related inner faculties (ahaṅkāra, manas, citta) along with śabda as a defining subtle characteristic.

By incorporating systematic metaphysical taxonomy (tattva-vyūha) alongside devotional and ritual material, it shows the Agni Purana’s broad scope—preserving philosophical psychology and cosmology in a Purāṇic framework.

Discriminating Puruṣa from the mind–ego complex supports self-knowledge (viveka), which is traditionally held to weaken bondage-causing identification and thereby aid purification and liberation-oriented practice.