HomeVaraha PuranaAdhyaya 96Shloka 44
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Varaha Purana 96.44 — Adhyaya 96, Shloka 44

The Threefold Power: The Raudrī Observance and the Manifestation of Chāmuṇḍā

ततो दध्यो महादेवं रुद्रं पशुपतिं विभुम् । सॊऽपि ध्यानात्समुत्तस्थौ परमात्मा त्रिलोचनः ॥

tato dadhyo mahādevaṃ rudraṃ paśupatiṃ vibhum | so'pi dhyānātsamuttasthau paramātmā trilocanaḥ ||

Então Dadhya (Dadhīci) meditou no grande deus—Rudra, Paśupati, o Senhor que tudo permeia. E ele também se ergueu da meditação: o Si supremo, o de três olhos.

ततःthen/thereupon
ततः:
कालाधिकरण (Temporal/sequence)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय, अपादान/क्रमार्थ (from there/then)
दध्यःcurd (or Dadhya—uncertain)
दध्यः:
कर्ता (Karta/Subject)
TypeNoun
Rootदधि (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; पाठे ‘दध्यो’—सम्भाव्यं ‘दध्यः’/‘दधि’ (curd) or proper name; uncertain
महादेवम्Mahādeva
महादेवम्:
कर्म (Karma/Object of implied verb like ‘स्मरति/आह्वयत्’)
TypeNoun
Rootमहा-देव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; कर्मधारय (great + god)
रुद्रम्Rudra
रुद्रम्:
कर्म (Apposition to Mahādeva)
TypeNoun
Rootरुद्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
पशुपतिम्Paśupati
पशुपतिम्:
कर्म (Apposition)
TypeNoun
Rootपशु-पति (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन; षष्ठी-तत्पुरुष (lord of beings/animals)
विभुम्the all-pervading/mighty one
विभुम्:
विशेषण (Adjective to Rudra)
TypeAdjective
Rootविभु (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, एकवचन
सःhe
सः:
कर्ता (Karta/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
अपिalso
अपि:
सम्बन्ध (Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय/अप्यर्थक-अव्यय (also/even)
ध्यानात्from meditation
ध्यानात्:
अपादान (Apādāna/Source: from meditation)
TypeNoun
Rootध्यान (प्रातिपदिक)
Formनपुंसकलिङ्ग, पञ्चमी, एकवचन
समुत्तस्थौrose up
समुत्तस्थौ:
क्रिया (Main verb)
TypeVerb
Rootसम्-उत्-स्था (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष, एकवचन; धातुः स्था (to stand/rise) उपसर्गाः सम्-, उत्-; अर्थः ‘rose up’
परमात्माthe Supreme Self
परमात्मा:
कर्ता (Apposition to ‘सः’)
TypeNoun
Rootपरम-आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; कर्मधारय (supreme + self)
त्रिलोचनःthe three-eyed one
त्रिलोचनः:
कर्ता (Apposition to ‘सः’)
TypeNoun
Rootत्रि-लोचन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु-समास (three + eyes)

Varāha (default, speaker not explicit in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"Inter-deity linkage: a sage’s dhyāna summons Rudra/Paśupati; highlights Purāṇic ecology of powers rather than Varāha’s yajña-body symbolism.","vedantic_connection":"Rudra described as Paramātmā and Trilocana: suggests immanence/transcendence and omniscience (three eyes as past-present-future in later interpretive streams), though the verse itself stays epithets-forward."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"dhyana_and_grace","core_concept":"Focused meditation (dhyāna) functions as a bridge between human/ṛṣi agency and divine manifestation; the deity responds/appears from yogic stillness.","practical_application":"Sustain disciplined contemplation and invocation in crisis; treat dhyāna as actionable dharma—clarity and help arise from steadiness rather than agitation."}

Subject Matter: ["Meditation (Dhyāna)","Divine Epithets","Inter-deity Narrative Link"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Related Themes: Varāha Purāṇa 96 (transition from feeding crisis to invoking Rudra)

Visual Art Cues: {"scene_description":"Dadhīci sits in deep meditation; from the stillness, Rudra—Paśupati, three-eyed—rises/appears, radiating power and calm.","item_prompts":["meditating sage (matted hair, deer-skin)","Rudra with three eyes and trident (if iconographically chosen)","aura/light emerging from meditation","forest/ashram ambience"],"kerala_mural_prompt":"Kerala mural: sage in yogic posture; Rudra emerging with bold eyes and ornaments; stylized flames/aura; strong outlines.","tanjore_prompt":"Tanjore: Rudra with gold halo and ornaments; sage below in reverent posture; rich architectural/mandapa framing.","mysore_prompt":"Mysore: serene dhyāna scene with soft gradients; Rudra’s form luminous, dignified, minimal ferocity.","pahari_prompt":"Pahari: quiet Himalayan-forest feel; Rudra appearing in a cloud of light; delicate lines and restrained palette."}

Audio Atmosphere: {"recitation_mood":"reverent and contemplative","suggested_raga":"Yaman","pace":"slow","voice_tone":"soft but firm, with a lift on ‘paramātmā trilocanaḥ’"}

C
Classical Literature
P
Purāṇic Studies
Ś
Śaiva Motifs

FAQs

It documents the interwoven Śaiva-Vaiṣṇava narrative ecology typical of Purāṇas, where epithets and meditative power serve as literary mechanisms for divine intervention.

No geographic site is named in this verse.

It foregrounds meditation (dhyāna) as an efficacious discipline, presenting contemplative focus as a means to access transformative power.

Ask anything about this verse

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