HomeVaraha PuranaAdhyaya 77Shloka 28
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Varaha Purana 77.28: Adhyaya 77, Shloka 28

Measurements of Mount Meru, the Boundary Mountains, and the Four Directional Great Trees

माल्यदामकलापैश्च विविधैस्तु समन्ततः । शाखाभिर्लम्बमानाभिः शोभितः सिद्धसेवितः ॥ ७७.२८ ॥

Sanskrit recitationVaraha Purana 77.28

mālyadāmakalāpaiś ca vividhaiś tu samantataḥ | śākhābhir lambamānābhiḥ śobhitaḥ siddhasevitaḥ || 77.28 ||

Adornado por todos os lados com muitas espécies de grinaldas e arranjos de coroas, e embelezado por ramos pendentes, é servido e reverenciado pelos Siddhas.

माल्यदामकलापैःwith garlands, strings, and clusters (of garlands)
माल्यदामकलापैः:
करण (Instrument/करण)
TypeNoun
Rootमाल्यदामकलाप (प्रातिपदिक: माल्य + दाम + कलाप)
Formतृतीया-विभक्ति (Instrumental/तृतीया), बहुवचन; पुल्लिङ्ग; द्वन्द्व-समासः (garlands + garland-strings + clusters)
and
:
समुच्चय (Conjunction)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-बोधक (conjunction)
विविधैःvarious
विविधैः:
विशेषण (Qualifier)
TypeAdjective
Rootविविध (प्रातिपदिक)
Formतृतीया-विभक्ति, बहुवचन; पुल्लिङ्ग/नपुंसकलिङ्ग (agreeing with माल्यदामकलापैः) — विशेषणम्
तुindeed
तु:
निपात (Particle)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; अवधारण/विरोधार्थक-निपात (particle: but/indeed)
समन्ततःon all sides
समन्ततः:
देशाधिकरण (Adverbial location)
TypeIndeclinable
Rootसमन्ततः (अव्यय)
Formअव्यय; क्रियाविशेषण (adverb)
शाखाभिःwith branches
शाखाभिः:
करण (Instrument/करण)
TypeNoun
Rootशाखा (प्रातिपदिक)
Formतृतीया-विभक्ति, बहुवचन; स्त्रीलिङ्ग (Feminine)
लम्बमानाभिःhanging down
लम्बमानाभिः:
विशेषण (Qualifier)
TypeAdjective
Rootलम्बमान (कृदन्त-प्रातिपदिक; √लम्ब् (धातु) + शानच्)
Formवर्तमानकृदन्त (Present participle/शतृ-शानच्), तृतीया-विभक्ति, बहुवचन; स्त्रीलिङ्ग — शाखाभिः इति विशेषणम्
शोभितःadorned
शोभितः:
विशेषण (Predicate adjective)
TypeAdjective
Rootशोभित (कृदन्त-प्रातिपदिक; √शुभ्/√शोभ् (धातु) + क्त)
Formभूतकृदन्त (Past passive participle/क्त), प्रथमा-विभक्ति, एकवचन; पुल्लिङ्ग — वटः इति विशेषणम्
सिद्धसेवितःfrequented by siddhas
सिद्धसेवितः:
विशेषण (Qualifier)
TypeAdjective
Rootसिद्धसेवित (प्रातिपदिक: सिद्ध + सेवित(क्त; √सेव्))
Formप्रथमा-विभक्ति, एकवचन; पुल्लिङ्ग; तत्पुरुष-समासः (सिद्धैः सेवितः = served/visited by siddhas) — विशेषणम्

Varāha (default, instructor voice in Varāha–Pṛthivī dialogue framework)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"curious, attentive (implied listener in the Varāha–Pṛthivī framework)"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"sacred-aesthetics / bhakti-metaphysics","core_concept":"Divine presence is signaled through ordered beauty (alaṅkāra) and the attendance of siddhas; sacred space is recognized by its sattvic splendor.","practical_application":"Cultivate and maintain tīrtha/temple spaces with cleanliness, floral offerings, and living greenery; treat beauty as a mode of reverence (sevā)."}

Subject Matter: ["Sacred Geography","Heritage Sites","Temple Iconography"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: mythic sacred grove/temple-like locus

Related Themes: Varāha Purāṇa 77.77.29-32 (Uttarakuru description continues)

Visual Art Cues: {"scene_description":"A luminous sacred tree or shrine-space draped with many garlands and wreaths, with long hanging branches forming a natural canopy; siddhas hover or stand in reverent attendance.","item_prompts":["ketu-vṛkṣa or sacred tree","multi-colored mālya-dāma garlands","hanging branches/lianas","siddhas with subtle halos","incense haze","soft celestial light"],"kerala_mural_prompt":"Kerala mural style: frontal sacred tree laden with layered garlands, stylized hanging foliage, siddhas in ochre/green palette with calm eyes, flat decorative background, temple-lamp glow.","tanjore_prompt":"Tanjore style: central sacred tree/shrine with heavy gold-leaf garlands and embossed ornaments, siddhas with gem-like aureoles, rich reds and greens, ornate border.","mysore_prompt":"Mysore style: delicate linework, restrained gold highlights on garlands, naturalistic hanging branches, siddhas rendered with soft shading and devotional serenity.","pahari_prompt":"Pahari style: lyrical forest canopy with drooping branches, pastel garlands, siddhas as small celestial figures in the sky, cool mountain-like atmosphere and fine detailing."}

Audio Atmosphere: {"recitation_mood":"reverential, descriptive, wonder-filled","suggested_raga":"Vasantā or Śuddha Sāraṅg (for floral/ornamental imagery)","pace":"medium-slow","voice_tone":"soft, clear, temple-like resonance"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sacred Architecture

FAQs

It exemplifies Purāṇic sthala-varṇana: a stylized description of a revered place using recognizable motifs (garlands, hanging branches, attendance by Siddhas), useful for understanding how sacred spaces were imagined and rhetorically framed in classical Sanskrit literature.

No explicit place-name appears in this single verse; identification depends on surrounding verses in Adhyāya 77 that likely specify the site being described.

Rather than a direct moral injunction, the verse conveys a cultural-heritage principle: sacred spaces are presented as carefully maintained and aesthetically ordered environments, implicitly valuing stewardship, cleanliness, and respectful attendance.

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