The Rite of Śrāvaṇa Bright-Fortnight Dvādaśī (Dāmodara Worship) and the Exemplum of King Nṛga
स कदाचित् तुरङ्गेण हृतो दूरं महद्वनम् । व्याघ्रसिंहगजाकीर्णं दस्युसर्पनिषेवितम् ॥ ४७.९ ॥
sa kadācit turaṅgeṇa hṛto dūraṃ mahadvanam | vyāghrasiṃhagajākīrṇaṃ dasyusarpaniṣevitam || 47.9 ||
Certa vez, levado para longe por seu cavalo, ele alcançou uma grande floresta—repleta de tigres, leões e elefantes, e frequentada por salteadores e serpentes.
Varāha
Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}
Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor","bhu_devi_state":"None","key_question":"None"}
Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}
Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}
Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}
Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"narrative-ethics (dharma under threat)","core_concept":"Araṇya symbolizes the world’s unpredictability where power and wealth attract danger; vigilance and restraint become dharma’s companions.","practical_application":"Treat ‘wild’ spaces—social or ecological—as zones requiring heightened discernment (viveka), non-provocation, and preparedness without cruelty."}
Subject Matter: ["Geography","Heritage Sites","Ethics","Ecology"]
Primary Rasa: bhayanaka
Secondary Rasa: adbhuta
Type: forest/wilderness
Related Themes: Nṛga narrative continuation in the same adhyāya (hunters, king, ensuing moral consequence)
Visual Art Cues: {"scene_description":"A lone rider carried far into a vast, ominous forest teeming with predators; distant silhouettes of bandits and coiled snakes hint at danger.","item_prompts":["dense sal/teak-like canopy","horse in motion","tiger and lion forms half-hidden","elephant herd in shadow","bandits with bows/spears","snakes on branches/ground","twilight atmosphere"],"kerala_mural_prompt":"Kerala mural palette: deep greens and ochres; stylized forest layers; animals in profile; narrative clarity with ornamental foliage.","tanjore_prompt":"Tanjore: central horseman with embossed gold accents on tack; jewel-like highlights; forest rendered as patterned backdrop; predators as iconic motifs.","mysore_prompt":"Mysore: refined linework; soft shading; realistic animal anatomy; subdued menace; detailed vegetation.","pahari_prompt":"Pahari: lyrical forest with rolling dark greens; expressive animals; minimal but evocative bandit figures; cool night tones."}
Audio Atmosphere: {"recitation_mood":"ominous, suspense-building","suggested_raga":"Bhairavī","pace":"medium-slow","voice_tone":"grave, descriptive, slightly hushed"}
It preserves a common Purāṇic narrative motif: the perilous wilderness as a culturally legible space marked by wild fauna and social threats (banditry), reflecting how forests were imagined in premodern South Asian literature.
No specific toponym is stated in this verse; it describes a generic 'mahadvanam' (great forest) rather than a named pilgrimage site or region.
The verse does not state an explicit injunction; implicitly, it frames the forest as a zone requiring vigilance and prudent conduct amid natural and human dangers.
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