HomeVaraha PuranaAdhyaya 21Shloka 51
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Varaha Purana 21.51 — Adhyaya 21, Shloka 51

The Disruption of Dakṣa’s Sacrifice, the Hari–Hara Conflict, and the Establishment of Rudra’s Sacrificial Share

ततो हरिहरं युद्धमभवल्लोमहर्षणम् । रुद्रः पाशुपतास्त्रेण विव्याध हरिमोजसा । हरिर्नारायणास्त्रेण रुद्रं विव्याध कोपवान् ॥ २१.५२ ॥

tato hariharaṃ yuddham abhaval lomaharṣaṇam | rudraḥ pāśupatāstreṇa vivyādha harim ojasā | harir nārāyaṇāstreṇa rudraṃ vivyādha kopavān || 21.52 ||

Então surgiu uma batalha arrepiadora entre Hari e Hara. Rudra, com a arma Pāśupata, trespassou Hari com vigor; e Hari, irado, com a arma Nārāyaṇa, trespassou Rudra.

tataḥthereupon
tataḥ:
Kāla-adhikaraṇa (कालाधिकरण)
TypeIndeclinable
Roottataḥ (ततः अव्यय)
FormAvyaya; adverb (ततः=thereupon)
hari-haraṃbetween Hari and Hara
hari-haraṃ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Roothari + hara (प्रातिपदिकानि)
FormMasculine, Accusative, Singular; द्वन्द्व (समाहार/इतरेतर) used adjectivally qualifying yuddham: “of Hari and Hara”
yuddhambattle
yuddham:
Karta (कर्ता)
TypeNoun
Rootyuddha (युद्ध प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative, Singular
abhavatarose/occurred
abhavat:
Kriyā (क्रिया)
TypeVerb
Rootbhū (भू धातु)
FormImperfect (लङ्), 3rd person, Singular; parasmaipada
loma-harṣaṇamhair-raising
loma-harṣaṇam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootloman + harṣaṇa (प्रातिपदिकानि)
FormNeuter, Nominative, Singular; तत्पुरुष (षष्ठी/कर्मधारय-भाव): “causing hair to bristle” qualifying yuddham
rudraḥRudra (Śiva)
rudraḥ:
Karta (कर्ता)
TypeNoun
Rootrudra (रुद्र प्रातिपदिक)
FormMasculine, Nominative, Singular
pāśupata-astreṇawith the Pāśupata weapon
pāśupata-astreṇa:
Karaṇa (करण)
TypeNoun
Rootpāśupata + astra (प्रातिपदिकानि)
FormNeuter, Instrumental (3rd/तृतीया), Singular; तत्पुरुष—“Pāśupata weapon”
vivyādhapierced/struck
vivyādha:
Kriyā (क्रिया)
TypeVerb
Rootvyadh (व्यध् धातु)
FormPerfect (लिट्), 3rd person, Singular; parasmaipada
harimHari
harim:
Karma (कर्म)
TypeNoun
Roothari (हरि प्रातिपदिक)
FormMasculine, Accusative, Singular
ojasāwith might
ojasā:
Karaṇa (करण)
TypeNoun
Rootojas (ओजस् प्रातिपदिक)
FormNeuter, Instrumental, Singular
hariḥHari
hariḥ:
Karta (कर्ता)
TypeNoun
Roothari (हरि प्रातिपदिक)
FormMasculine, Nominative, Singular
nārāyaṇa-astreṇawith the Nārāyaṇa weapon
nārāyaṇa-astreṇa:
Karaṇa (करण)
TypeNoun
Rootnārāyaṇa + astra (प्रातिपदिकानि)
FormNeuter, Instrumental, Singular; तत्पुरुष—“Nārāyaṇa weapon”
rudramRudra
rudram:
Karma (कर्म)
TypeNoun
Rootrudra (रुद्र प्रातिपदिक)
FormMasculine, Accusative, Singular
vivyādhapierced/struck
vivyādha:
Kriyā (क्रिया)
TypeVerb
Rootvyadh (व्यध् धातु)
FormPerfect (लिट्), 3rd person, Singular; parasmaipada
kopavānwrathful
kopavān:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkopa-vat (कोपवत् प्रातिपदिक)
FormMasculine, Nominative, Singular; possessive adjective (मतुप्/वत्) qualifying hariḥ

Varāha (default narrator framework; explicit speaker not stated in the excerpt)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theological non-dual concord","core_concept":"Even when sectarian deities appear opposed, their powers are mutually matched, implying a higher unity and the limits of rivalry in īśvara-tattva.","practical_application":"Temper sectarian antagonism; read conflict-myths as pedagogic drama about power, restraint, and cosmic balance."}

Subject Matter: ["Puranic narrative","Martial theology (divine weapons)","Inter-deity conflict motif"]

Primary Rasa: raudra

Secondary Rasa: adbhuta

Type: cosmic arena

Related Themes: 21.21.53-56 (continuation: astras fight; iconographic contrasts)

Visual Art Cues: {"scene_description":"A terrifying Hari–Hara duel: Rudra releases the Pāśupata, Hari counters with the Nārāyaṇa; both deities are shown ‘pierced’ yet undiminished, surrounded by blazing weapon-auras.","item_prompts":["Hari with discus/bow aura of Nārāyaṇāstra","Rudra with trident/bow aura of Pāśupata","radiant astric flames colliding","deva-soldiers or sages watching in awe","stormy sky, lightning-like weapon trails"],"kerala_mural_prompt":"Kerala mural style: flat luminous colors, ornate jewelry; depict Hari and Rudra in profile combat, astras as stylized flame-serpents in the sky, dense decorative borders.","tanjore_prompt":"Tanjore: central paired icons of Hari and Rudra with gold-leaf halos; astras rendered as embossed radiant motifs; rich reds/greens, heavy ornaments.","mysore_prompt":"Mysore: delicate linework, soft shading; emphasize facial expressions of controlled wrath; astras as fine luminous arcs across a darkened sky.","pahari_prompt":"Pahari: mountainous-cloud backdrop, lyrical yet intense; slender figures, expressive eyes; weapon-energies as swirling ribbons between them."}

Audio Atmosphere: {"recitation_mood":"fierce and elevated","suggested_raga":"Bhairav","pace":"brisk","voice_tone":"resonant, forceful, clipped on weapon-names"}

C
Classical Literature
P
Purāṇa Studies
V
Vaiṣṇavism
Ś
Śaivism
M
Mythic Warfare
S
Sanskrit Philology

FAQs

It exemplifies a Purāṇic narrative technique in which major deities are depicted in conflict through named astras (weapon-mantras), reflecting shared mythic vocabulary across sectarian corpora while remaining part of a literary, not historiographic, register.

No geographic toponym appears in this verse; it is focused on the combat episode and the deployment of the Pāśupata and Nārāyaṇa weapons.

The verse does not present an explicit ethical injunction; its philosophical interest lies in portraying controlled power (ojas) and anger (kopa) as narrative forces, framed through the symbolic use of astras rather than direct moral teaching.

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