HomeVaraha PuranaAdhyaya 20Shloka 24
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Varaha Purana 20.24 — Adhyaya 20, Shloka 24

The Birth of the Aśvins: Solar Lineage, Saṃjñā and Chāyā, and the Granting of a Hymn and Boons

एवं तावश्विनौ प्रोक्तौ मार्त्तण्डेन महात्मना । तेपतुस् तीव्रतपसौ तपः परमदुष्चरम् । ब्रह्मपारामयं स्तोत्रं जपन्तौ तु समाहितौ ॥ २०.२४ ॥

evaṃ tāv aśvinau proktau mārttaṇḍena mahātmanā | tepatus tīvratapasau tapaḥ paramaduścaram | brahmapārāmayaṃ stotraṃ japantau tu samāhitau || 20.24 ||

Assim, após serem exortados pelo magnânimo Mārtaṇḍa (o Sol), os dois Aśvins—ambos empenhados em severa ascese—realizaram uma austeridade extremamente difícil, e, com a mente concentrada, recitaram um hino voltado ao Brahman supremo.

एवम्thus
एवम्:
Sambandha/Prakāra (सम्बन्ध/प्रकार)
TypeIndeclinable
Rootevam (अव्यय)
Formअव्यय (indeclinable), प्रकारवाचक (manner-adverb)
तौthose two
तौ:
Karta (कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुल्लिङ्ग, प्रथमा (1st/Nominative), द्विवचन (Dual)
अश्विनौthe Aśvins (twin gods)
अश्विनौ:
Karta (कर्ता)
TypeNoun
Rootaśvin (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा (1st/Nominative), द्विवचन (Dual)
प्रोक्तौ(were) addressed/said
प्रोक्तौ:
Karta-sāmānādhikaraṇa (कर्तृ-सामानाधिकरण)
TypeVerb
Rootpra+vac (धातु) → prokta (कृदन्त)
Formभूतकर्मणि कृदन्त (past passive participle), पुल्लिङ्ग, प्रथमा, द्विवचन; ‘said/addressed’
मार्त्तण्डेनby Mārtaṇḍa (the Sun)
मार्त्तण्डेन:
Karana (करण)
TypeNoun
Rootmārttaṇḍa (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (3rd/Instrumental), एकवचन (Singular)
महात्मनाby the great-souled one
महात्मना:
Karana (करण)
TypeAdjective
Rootmahātman (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (Instrumental), एकवचन; विशेषण (qualifying) मार्त्तण्डेन
तेपतुःthey two performed austerity
तेपतुः:
Kriyā (क्रिया)
TypeVerb
Roottap (धातु)
Formलिट् (Perfect), परस्मैपद, प्रथमपुरुष (3rd person), द्विवचन (Dual)
तीव्रतपसौ(the two) of intense austerity
तीव्रतपसौ:
Karta (कर्ता)
TypeAdjective
Roottīvra+tapas (प्रातिपदिक)
Formकर्मधारय-समास; पुल्लिङ्ग, प्रथमा, द्विवचन; विशेषण (qualifying) तौ/अश्विनौ
तपःausterity
तपः:
Karma (कर्म)
TypeNoun
Roottapas (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
परमदुष्चरम्extremely difficult to perform
परमदुष्चरम्:
Karma (कर्म)
TypeAdjective
Rootparama+duścara (प्रातिपदिक)
Formकर्मधारय-समास; नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying) तपः
ब्रह्मपारामयम्consisting of (the essence of) Brahman
ब्रह्मपारामयम्:
Karma (कर्म)
TypeAdjective
Rootbrahma+pāra+maya (प्रातिपदिक)
Formतत्पुरुष-समास (brahma-pāra-maya: ‘consisting of/pertaining to the supreme Brahman’); नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying) स्तोत्रम्
स्तोत्रम्hymn
स्तोत्रम्:
Karma (कर्म)
TypeNoun
Rootstotra (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (Accusative), एकवचन
जपन्तौchanting
जपन्तौ:
Karta (कर्ता)
TypeVerb
Rootjap (धातु) → japant (कृदन्त)
Formवर्तमानकृदन्त (present active participle), परस्मैपद-भाव, पुल्लिङ्ग, प्रथमा, द्विवचन; ‘chanting’
तुindeed/and
तु:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottu (अव्यय)
Formअव्यय, निपात (particle), विरोध/अन्वय (contrast/emphasis)
समाहितौcomposed, concentrated
समाहितौ:
Karta (कर्ता)
TypeAdjective
Rootsam+ā+dhā (धातु) → samāhita (कृदन्त)
Formभूतकृदन्त (past passive participle), पुल्लिङ्ग, प्रथमा, द्विवचन; विशेषण (qualifying) तौ

Varāha (default dialogue framework; explicit speaker not indicated in excerpt)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Severe tapas undertaken with mental concentration (samāhita-citta) and mantra-japa/stotra is presented as a legitimate means to attain divine boon and empowerment.","karmic_consequence":"Properly performed tapas and japa yield siddhi/vara and purification; performed without focus or with pride risks fruitlessness and spiritual decline (implicit Purāṇic ethic)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘brahma-pārāmaya stotra’ signals ascent from functional deityhood to the supreme Brahman—showing that even deities stabilize their office through Brahman-oriented praise; this mirrors Yajña-Varāha theology where cosmic order is sustained by sacred speech (stotra) and tapas.","yajna_varaha_imagery":"Stotra/japa as the ‘voice’ of yajña; tapas as the ‘heat’ that ripens creation—implicit sacrificial cosmology rather than explicit Varāha anatomy mapping.","vedantic_connection":"Brahman-oriented hymnody indicates saguṇa worship leading toward para-brahman realization; concentration (samādhi-like) integrates bhakti and jñāna disciplines."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"discipline-and-grace","core_concept":"Extraordinary attainment arises from disciplined tapas joined with focused sacred speech directed to the supreme Brahman.","practical_application":"Adopt a steady practice: choose a stotra/mantra, maintain concentration, and sustain effort over time; let devotion and inner stillness co-operate."}

Subject Matter: ["Asceticism","Hymnology","Cosmology"]

Primary Rasa: tapasya-shanta

Secondary Rasa: bhakti

Type: ascetic_retreat

Related Themes: 20.20.23 (instruction to worship); 20.20.22 (their inquiry into duty)

Visual Art Cues: {"scene_description":"The twin Aśvins seated in austere posture, performing fierce tapas—emaciated yet radiant—reciting a Brahman-oriented hymn with rosaries, surrounded by a subtle aura of heat and stillness.","item_prompts":["two ascetics with divine radiance","japa-mālā / rosary","palm-leaf hymn text or gesture of recitation","fire/heat shimmer indicating tapas","forest-hermitage or minimal cave setting","calm, concentrated faces (samāhita)"],"kerala_mural_prompt":"Kerala mural: stylized forest backdrop; twins seated symmetrically; visible aura-lines for tapas; minimal props (mālā, kamaṇḍalu); strong outlines and saturated earth tones.","tanjore_prompt":"Tanjore: gold aura around ascetic twins; embossed flame motifs; ornate yet restrained setting; sacred text panel hinted with gold highlights.","mysore_prompt":"Mysore: delicate rendering of meditation; soft glow and fine details on rosaries; subdued palette; gentle flame shimmer near ground.","pahari_prompt":"Pahari: quiet Himalayan hermitage mood; thin figures in meditation; pale dawn sky; small sacred fire; lyrical trees and rocks framing the scene."}

Audio Atmosphere: {"recitation_mood":"austere-contemplative","suggested_raga":"Darbari Kanada (gravity of tapas)","pace":"slow","voice_tone":"deep, steady, inward-focused, with elongated vowels on ‘tapas’ and ‘brahma’."}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Hymns
V
Vaishnavism

FAQs

It preserves a Purāṇic narrative motif in which Vedic-associated figures (the Aśvins and the Sun as Mārtaṇḍa) are framed through later Sanskrit discourse on tapas (austerity) and stotra/japa (hymn-recitation), reflecting the synthesis of ritual, ascetic, and theological idioms in Purāṇic literature.

No geographic location is named in this verse; the focus is on the actors (Aśvins, Mārtaṇḍa) and their ascetic practice.

The verse foregrounds disciplined practice and mental concentration (samāhita) as a philosophical instruction: rigorous effort, coupled with focused recitation, is presented as a means of orienting oneself toward the highest principle (Brahman).

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